Showing posts with label tools. Show all posts
Showing posts with label tools. Show all posts

Wednesday, August 24, 2016

Bead Fest: A Feast For The Eyes

Bead Fest was held over the weekend.  It's one of the highlights of my year and I've been attending since 2004.  I've even been a vendor at it 3 times (and might again in the future).  This year I went for fun; to see friends and do some (lots) of shopping.

Welcome to Bead Fest
You need to be careful at Bead Fest.  It's easy to go waaaaaaaaaay over budget in a short period of time (ask me how I know).  I told myself to lay off so many art beads this year...hahahahahahahaha!  Ok, yeah that didn't happen.

Gardanne Enamel Components
Explain to me how I'm supposed to do that with such fabulousness like Gardanne Beads enameled pieces?

Thornburg Bead Studio
Nikki/Thornburg Bead Studio brought some of her gorgeous lampwork urchins with her.  I ended up buying a bunch of lampwork headpins from her though to assist me with our AJE headpin challenge.

Penn Avenue Pottery
Tracey/Penn Avenue Pottery had oodles of fun ceramic beads to choose from.  I found myself trapped (totally against my will) at her booth for awhile, with my hands stuck (yes, I couldn't pull them out) in those trays.

Staci Louise Originals 
After my escape from Tracey's booth, I ended up at Staci's booth (that's a lie, I'd been there probably 500 times already by Saturday morning...my apologizes to Staci).  Her booth looked like a magic unicorn had visited with all the beautiful rainbow colors.  I added more beads to my gigantic Staci-collection.

Staci's bags
In addition to her beads, Staci also brought some of her hand-dyed and stamped bags with her.  I own a luna moth bag and it was perfect for shopping the show.

In fact, several bead-makers brought other art with them in addition to their beads...

Diane Hawkey
Diane Hawkey had some of her whimsical pot head planters and house sculptures for sale in her booth.

Beaded Chic Fused Glass
Donna/Beaded Chic has been playing with fused glass lately and brought some new pieces along with her table full of lampwork!


Marsha Neal
Marsha Neal had beads, tiny pottery and her needle-felted creations at her booth.  

Jenny Davies-Reazor
AJE's own Jenny Davies-Reazor had some of her gorgeous tiles and needle-felted/bead-embroidery pieces for sale at her table.

Firefly Design Studio
Michelle/Firefly Design Studio had her beach-inspired dishes with her!

And of course there was gorgeous jewelry at the show...

Marcia Balonis and Pam Garbig
Marcia Balonis and Pam Garbig had a table full of beautiful samples and kits for sale.  I brought home one kit and will be writing about it on here in the near future. 

There were also great tools for sale!

Lucet
New AJE member, Cooky Schock had a booth and I came home with a lucet and some cord from her. You might recall the recent blog post that Cooky wrote for us about the lucet.  This great little tool helped make my 5+ hour car ride home go much quicker!

Xuron
Treated myself to a new Xuron plier.  Soooooo comfortable!

Funky Chain, ParaWire, Gemstones
This was just the tip of the iceberg of what was available at Bead Fest!  You're probably wondering what I brought home with me, right?  Let's take a peek...

Pottery Purchases
A bunny pot head planter from Diane Hawkey, a ring holder from Marsha Neal and a dish from Michelle/Firefly Design.

Tools and Kits
The lucet, cord for the lucet, some dyed Stiff Stuff (Bead My Love), spiffy new XBow Series Xuron pliers and a fab kit from Marcia Balonis.

Art Bead Haul
And this is the art bead haul.  So many beads, pendants, headpins and cabochons!  

Bead Fest 2016 was fabulous as always and while I hate to see it end, my wallet requires a year to recover.  See you in 2017, Bead Fest!

Happy Beading!

Monday, September 14, 2015

Dressing your hammers!



Some time back, I promised to show you how to dress your hammers…. and then I never got around to it. Today, I’m trying something a little different by showing you the process in a video instead of trying to explain it in writing. I hope you like it!



A few notes:
  • This is my first full-length process video. I see this as something I’d like to do more of, so help me make it as effective and beneficial for you as possible! We’ll get better at sound and camera angles, but in the meantime I’d love your constructive feedback and comments.
  • A huge thank you to Letty Wilde of Silver Leaf Artisan Jewelry – Letty is one of my students, a dear friend, and my assistant in my studio one day a week. She operated the camera and warned me about “resting bitch face” more than once!
  • Please excuse the horrific state of my working space – the entire Roadhouse Arts studio and classroom area is in transition right now, and we had just gotten back from BeadFest when we shot this, so everything looks like a bomb went off.


Thanks for watching!


Until next time –


Tuesday, June 16, 2015

Product Review: Eurotool Handy Flame Torch



A year and a half ago, I wrote a post here on the Art Jewelry Elements blog about the Sterno Culinary Torch and why I liked it for jewelry making. Since then, I'm sorry to say I've fallen a little out of love with the Sterno model - maybe it's because we use the heck out of these in the studio, but I found I was having to replace them every six months or so when the strikers just stopped sparking.


Our insurance carrier is happier when we don't have tanks around and therefore charges us less on our liability insurance, so I was still sold on the idea of using a larger culinary torch. Unfortunately, I was having a heck of a time finding a sturdy, reliable replacement for the Sterno. I visited local kitchen supply stores and ordered likely candidates from Amazon, but they were either very flimsy or had flamethrower-like qualities that made them unsuitable for jewelry work. (Seriously: check out the keywords on this torch from Amazon. Flamethrower.)

Then Eurotool announced they were introducing their own version of these torches. I ordered one immediately, keeping my fingers crossed it was going to be what I'd been looking for, and when it arrived I wasted no time putting it through its paces.


I've used this torch for all my work for the last month, and have done everything from large work to chain links to fine 20 gauge prongs. I'm pleased to say it has handled every bit of it with ease. Here are some of the things I really like about it:



The flame on the Eurotool version (front in both pics) is longer, tighter and crisper than the Sterno version. This makes it a little easier to manage the heat control issues.




The Sterno screws onto the butane canister - and to be honest, this always gives students a bit of a fit in class. You have to hold the collar and twist the top of the torch more than a full revolution to tighten it down, and there's a moment where the gas starts hissing. For brand new, never-done-this-before students, that can sometimes freak them out a little bit, and fitting the collar onto the can takes a bit of practice.







By contrast, the Eurotool torch has a simple tab fitting that fits cleanly and intuitively into the slot on top of the canister. Locking it in place can be done with one hand, and requires less than a quarter turn with no gas release. This is a minor design issue, of course, but for a teaching studio the simpler the better.

The biggest consideration, though, is consistency. This torch sparks every single time and the trigger pull is crisp and short. It's also much, much lighter in weight than the Sterno - though still solidly made - and combined with the shorter trigger pull makes for less hand fatigue over a full day of working with it. I did every bit of soldering on this piece with the Eurotool torch, right down to the fine link soldering.


So: I'm a fan. If you're looking for a culinary torch to add to your bench, you might want to consider this one. It's priced to be competitive with the Sterno and although I may be proven wrong in the long run, I think it will outlast them in a studio environment.

Until next time -

Full disclosure: I am a Eurotool dealer. I was not compensated in any way to test, review or recommend this product, and none of the links in this post are affiliate or commission-paid links.




Tuesday, October 21, 2014

Soldering: The Setup


I like to work big - in fact, the bigger the piece, the happier I am. Somewhere along the way, I heard that larger pieces just aren't possible with culinary or butane torches.. but that's all I've ever used, so I just continue to push the envelope.
Clockwise from left: a hollow bead, a Big Ass Ring, and a Big Ass Ring in progress. Each of these is between two and two and a half inches at the largest point.
I have a variety of butane torches that I use for different techniques, and with the exception of pinned stones (which I haven't yet been able accomplish consistently) I haven't encountered anything I wanted to try that they haven't been able to handle. (I wrote about my favorite torches earlier this year.) But my soldering setup is the thing I get the most questions about - and it's really pretty simple.

I start with an oversized floor tile - any ceramic tile from your local home improvement store will do. I add to that a lazy susan base (from the same home improvement store) and a Solderite board. (I get mine from Contenti).


In order to use the setup safely, the Solderite board needs to be secured to the lazy susan base. I use UHU adhesive putty - the stuff you use to keep pictures from going crooked on your walls after you hang them.


It doesn't take much to secure the board to the base - just small pea-sized pieces in all four corners.




Then do the same thing on the bottom corners to secure the base to the tile. This allows the board to be turned while soldering, eliminating the need to move the torch around to heat the entire piece. 




For a lot of folks - especially people new to soldering - the process of keeping an eye on the flame, the solder, the piece and the pick, all while trying to keep the piece heated evenly, is a lot like patting your head and rubbing your stomach while standing on one leg. I first saw the turntable idea in a workshop with Richard Salley and Jessica Jordan, though an annealing pan under the board works in very much the same way. In either case, a turntable of some kind under the board means the torch doesn't need to be moved, which makes it much easier to keep track of where the flame is pointing - a much safer experience for newbies. 

Tim McCreight, in his wonderful book The Complete Metalsmith, suggests using balled up or woven binding wire on top of a soldering board as an alternative to a tripod setup. I prefer a very thin gauge of wire and a moderately dense platform of wire woven around a fairly thick coiled frame - but you should experiment to see what works best for you. The goal is to create air space between the piece and the board, which allows the heat to be amplified and reflected or bounced up to the bottom of the piece.  



The final essential items in my setup are - from left to right - a soldering pick, a pair of diamond tweezers for placing solder pallions, and a pair of long blunt nose tweezers to pick up and move hot items. I have insulated tweezers and a third hand, but I rarely use them. Even for multi-step fabrication projects, this setup is all I need most of the time.

So if you want to work bigger but aren't ready to move to tank-based torches, give this setup and a larger culinary torch a try - you may be surprised by how much you can do!

Until next time -