Showing posts with label sterling. Show all posts
Showing posts with label sterling. Show all posts

Friday, September 2, 2016

Echo and Wild - a Creative Collaboration

Let Merriment Abound! 

This year the Maryland Renaissance Festival (hereafter known as Ren Fest) celebrates its 40th year of merriment, mayhem, magic and history. Its no surprise I am a Ren faire kind of girl; I have been attending the MD faire almost annually for over 30 years. Yes, since I was a teen. Its a unique blend of history and comedy, of accuracy and fantasy, of theater and art, of seriousness and frivolity.
The Maryland Renaissance Festival! 
I have long been a fan of the artists that live and work at the Md Ren fest. In fact many a birthday gift I have received in the last 30 years were selections from the faire. But over the last 12 years as I have entered the local arts faire circuit, I have met and become good friends with many of these same artists. Yes, the faerie festival circuit is a world that overlaps with Ren Fest. The love of myth and magic, fantasy and folklore are uniting themes. 

My friend Jeanne Gibbons is the artist and one woman entrepreneur behind Echo and Wild jewelry. For years a fan and a collector, now a friend - this year Jeanne and I finally made a collaboration happen. Years in discussion mode - now a reality. So last week I went to faire, before opening, to drop off the fruits of out labors. I can show you a sneak peak behind the scenes... 
Echo and Wild - setting up to start the Faire season.  1. Echo and Wild booth in a state of show prep. 2. Jeanne's sons toys piled in the backstage courtyard. 3. The hidden world of vendors behind the fences. 4. the grounds - empty and quiet! 


Not familiar with the Ren Fest scene? 30 of 50 states have them! Its a day of interactive theater, with shopping, feasting, and drama! Jousting! Human chess! Sword Swallowing! Here is a promo clip from MD: The Maryland Renaissance Festival, a tradition for the entire family, begins its 40th season ...
The 27 acre Village of Revel Grove comes to life each autumn with more than 200 professional performers on ten stages, authentic combat armored jousting on magnificent steeds and streets filled with village characters. Join His Most Royal Highness King Henry VIII in the forests and glades with over 140 artisans exhibiting crafts in their own renaissance shops, five taverns featuring cool libations, 42 food and beverage emporiums providing a vast array of succulent and sweet treats to sate even the most hearty of appetites.

This is the view from Jeanne's booth. The neighbors, a drop coin press, were repainting the floor and doing booth maintenance.
Quiet in the Shire. The grass is green, and nary a patron in sight. 
So - I know you want to see the JEWELRY. Jeanne creates mythic, magical and meaningful symbolic pieces in sterling. She sculpts and casts all her work in her garage casting studio. I set to work to pair her pieces with gems. Nothing too elaborate, but meant to compliment, to accent. 
A sampling of our collaborative efforts. 
Four seasons faeries. A few of my favorites!
If you are local and go to the Ren Fest - stop by Echo and Wild! They are located on the Queen's Path as you enter the Shire.
Jeanne (on left) and a colleague. 
So next? All the pieces I sent to the Faire? I have duplicates for me - my work - my fall shows! I am so excited to continue to design with these pieces that speak my (our) language! The hardest part? Not keeping them all! 
My inventory for future creations! 
I am beyond excited to have collaborated with Jeanne whose work I have admired for so many years. I am also thrilled to have a presence at the Ren fest in some form. Perhaps a guest spot for me there in future years? We shall see... 
Until then... 
get thee to the Faire! 

Wednesday, January 13, 2016

No excuses soldering

So I decided this year that I will challenge some of my self imposed restrictions. Excuses I make... obstacles I present to myself. One of these is soldering. I studied metals in college. I fabricated things in sterling from simple to complex. Why aren't I soldering NOW as my work cycles back to jewelry from ceramic sculpture? Excuses.

All materials present and accounted for... note dust on pickle pot. 
Excuse #1 - The tools and materials are all so different from those that I learned on...
Sure they are! I was in art school 25 years ago! I learned on large propane and oxy/acetylene torches in a fully outfitted metals studio. We had a separate room for pickle, polishing and sand blasting.

As seen above - I HAVE the materials I need for an in home/studio soldering set up. Soldering pad, charcoal block, torches, pickle pot... Flux, solder... OK. So no excuses here.

1. Caroline's simple yet effective set up. 2. Niky's portable, fully functional set up. 3. Lesley's permanent soldering station
Excuse #2 - Safety and space
The picture above is a compilation of images from my dear UK team mates showing their soldering spaces. Umm. if Niky can do ALL she does in like 6"... OK no excuses there. 

Safety - Protect your work surface. Have a fire extinguisher in the studio. Don't wave the torch around... Hmm. I can do that. So no more excuses there. Lets set up a space shall we?

Ok - let's make this happen. 
What to make? Hmm. I have some great bangles from Nunn design that need charms. Yes - something good to wear to MEXICO when I take the Richard and Jane Salley class of a lifetime. Something to remind me that I am there to learn/relearn soldering.

A 2016 charm with soldered bail. a sweat soldered crescent. and sterling spiral. OK. Lets do this.

3 charms ready to assemble. one soldered loop, 2 sweat soldered layered pieces. 
DONE! Excuses vanquished. See below - pickle and patina! Not perfect,but a personal success. 

pickled and patina - NOT perfect! 

An auspicious start to the year... 

* Footnote - since originally writing this post I have spent that week in Mexico and SOLDERED ALL THE THINGS. Victory is mine! Details and eye candy coming soon!

Friday, October 3, 2014

The Versatile Wrapped Loop

Those of you that are familiar with my jewelry style know that this classic link is a go-to technique of mine.  In fact, I don't think there is a piece of jewelry in my shop that doesn't have at least one wrapped loop connection!

Recent earrings featuring my new copper clay morsels and Czech glass beads connected with wrapped loops!

I remember first learning to do these a million years ago.  I had been making earrings...you know, the old "bead on a headpin" style and just doing a single loop at the top, never really knowing where to cut the end and how big to create the loop.  They tended to come off the ear wires a lot...let's just say, they weren't my best work!  A fellow opera singer/jewelry maker had been mentoring me and one night in our dressing room, she showed me the wrapped loop.  It was really difficult and my initial tries were truly ugly using those same cheap, hard headpins I had been using, but I was hooked!

Fast forward through a lot of wonky, misshapen, kinked work.  I graduated to sterling silver soft wire and cut it myself to make links rather than relying on bought headpins.  Wow, what a difference! It was so much easier to make the wraps and get them to lie straight and tight.  Around this time, a friend asked me if I could repair an old broken rosary and I thought, "wow, I bet it would last a whole lot longer if I did wrapped loops instead of these single ones".  A heckuva lot of rosaries and wrapped loops later, here I am.

One of my Melismatic Rosaries with carnelian and sterling.

My recent COM piece featuring Kristi Bowman's gorgeous copper clay focal and a beaded chain of wrapped loop serpentine.
The thing about wrapping loops for rosaries or beaded chain, is that it seems like it will take forever, wrapping each of those beads until you have the right length!  It can be very monotonous and hard on your hands!  I mean, gosh, there are 53 Ave beads and 6 Pater beads in a rosary, plus the wrapped connectors/spacers!

My solution has been to do sort of an assembly line so that I do all of 1 step for all my links at a sitting.  Here is my process...a little crazy, but it works for me!  My rationale is that all of these steps require a different grip of the pliers or my hands/fingers and I can go quicker if I can do some  or all of the repetitive things at a time.

My assembly process for the COM piece.
Now, I am sure most of you know how to make a wrapped loop...I mean, there is a tutorial in almost every beading or jewelry-making book out there.  If you have a specific way that you bend the wire or form the loop or even make the wrap, they will all work with this quick assembly process I have with some tweaking.
  • Measure length of wire you need using your beads of choice.
  • Cut a couple of pieces at the measured length.  Using 1 of the cut pieces, complete an entire link.  This will ensure that you have enough wire to wrap both sides consistently, ie, same number of wraps, similar loop size, etc.  You want to have an almost exact amount.  Too much, then you have to cut off small pieces for the scrap pile.  Not enough...well, you pretty much have to start over!  I know a lot of people say work from the spool, but that sort of throws a wrench into the assembly line concept.
  • Once you are sure of your length, cut as many pieces as you will need for your project, or at least one sitting.  I use a previously cut piece to measure the next piece, so they might not be exact, but pretty close.
  • Make your 1st loop on all your pieces. You can slide a bead back on the get a feel for where you want to make that first bend.  Once you have done a few, it becomes second nature.
  • Do all the wraps on the 1st side.  For rosaries, I usually do 3 wraps and stop at one layer for a more simple, refined look.  For my beaded chain, I tend to do 2 wraps and leave wire for a 2nd layer.
  • Put beads on all looped pins
  • Do the initial loop on the opposite side.  DON'T wrap them yet! We are going to connect them by inserting the open loop through the wrapped loop of the previous bead.  If you are working with multicolored or different beads, this gives you a chance to pick and choose which one to go next and change it before the point of no return!
  • Once you are satisfied with the layout, you can go ahead and make the wraps.  I always wait until both sides have been wrapped before doing a 2nd layer on either side...the bead provides some stabilization.


  • Once you have your wraps done to your satisfaction, snip the extra wire as closely as possible.  I like to cut at an angle so the wire flattens against the other wraps and doesn't just come to an abrupt stop like flush cut wire, especially if you are using larger gauge!
  • Use your pliers to make sure there are no ends sticking out.  A huge pet peeve of mine is to see finished wrapped loops with unfinished ends!  Here is where I also take the time to make sure the loops are straight and as centered as possible on the bead. 
  • My last step, and this is just my preference, is to make sure both loops of the link are turned the same way.  This keeps the chain from kinking too much, and to me just looks more cohesive and thought out.  


Here are a few more helpful tips...
  • I mark my pliers with a sharpie to get my loops a consistent size. 
  • I use thumb and index finger of my left hand (pliers in my right) to make my wraps..sometimes with harder wire (bronze) I may have to use pliers to finish.
  • My go-to gauge for rosaries and most beaded chain in 22g. The bigger the beads, the larger the gauge of wire you should use for strength, however.
  • Obviously, if you are working in sterling, save those snips!
Here's a variation I did a few months ago with some double-hole Czech glass beads I had, or twins.  I wanted to do wrapped loop links, but use both holes.  I folded the wire in half and put each leg through a hole of the bead, then made the wrapped loop at the top.  These had to be done 1 at a time in order the insert each link in the previous loop before it was wrapped.


There you have it!  Hope you give a beaded chain with wrapped loop links a try.  Would love to see what you create :)

Saturday, August 9, 2014

Chain-spiration...work in progress!

A couple of weeks ago I participated in our Component of the Month Challenge here at AJE...it featured gorgeous fused glass pieces by Francesca Watson.



I finished my focal, but didn't have anything to hang it on, so went looking for chain-spiration!  I knew I wanted to create something from scratch, but wasn't sure where I wanted to start. Wait, right here at AJE!

Keirsten Giles created gorgeous copper chain and shows us how here!


Fun byzantine links by Diana Ptazynski!

Chain from Francesca' s COM creation!

Francesca did a gorgeous chain using Cindy Wimmer's amazing book The Missing Link...I fell in love with how the chain really completed her design, and thought.."hey I have Cindy's book, I wonder what I can come up with!  After perusing the wonderful options, I chose this one...Little Orbits.


Here's how I started...


...and here is where I am now...obviously not finished!  Need to patina, tumble and most importantly, create a clasp.


As you can see, I wrapped my 'orbit rings' with twisted wire with the ends torched into a ball.  I think it really complements the holes and dots in the pendant.  Will show you a photo once the whole piece is complete!

Thanks for stopping by! Go create something!

Melissa Meman
Melismatic Art Jewelry
Art. Life. Love.