Showing posts with label frit. Show all posts
Showing posts with label frit. Show all posts

Tuesday, January 6, 2015

A Little Glass Vocabulary Lesson

When I mentioned I was stuck for an idea to write about today, my teammate Lesley Watt mentioned to me that she would like to have a little lesson in some lampwork vocaulary!  Perfect, I said, 'cuz I know that!  So today I'm going to tell you about three lampwork words you may have heard but don't really know what they are - frit, murrini and stringer.

FRIT
The above photo is a picture of frit by Robin Koza of Glass Diversions.  Frit is little ground up pieces of glass that you roll your bead in.  You can either melt it in all the way or leave it somewhat raised for different effects.  There are many producers of frit - Robin's frit blends were the first I was introduced to so I chose to highlight hers here.  But if you google glass frit, you will find many people who make gorgeous frit blends.

Here are some examples of my beads with frit:

 The above is an example of frit, melted in after the base bead was wrapped in silver foil.  You can see the reaction the frit and silver foil give to the beads!
 This is an example of a bead rolled in clear frit, and left somewhat raised.  It gives the impression of sugar or gumdrop candy!
 This is an example of frit over enamel powder (very finely ground glass) - this frit is raku frit, which gives varied colors when worked in different areas of the flame - either hotter or cooler.
 These beads were made by dipping the hot end of a glass rod in frit, then melting in the frit all the the way and making the bead, so it looks like swirls.

 Finally, these beads were made by rolling the disk in frit and only barely melting it in, to make it raised and resemble sand.

MURRINI

Murrini are little chips of glass that you apply to beads.  Murrini can be very simple, or very complex.  Murrini start out by layering colors of glass in specific design patterns to achieve a certain look.  The big blob of glass that results is then pulled down by heating it very slowly and stretching the blob out until it becomes basically the same dimensions as a glass rod.  The rod that results is then cut into "chips" with tile cutters and then applied to beads. 

An example of a simple murrini I made can be seen in this bead:

Here, I striped a rod of ivory glass with red-brown, heated it until the lines were fused with the ivory glass, and pulled it into a rod that I could nip into smaller chips.

Some people make really fantastic murrini - Lori and Kim for example:



Jennifer Cameron uses a lot of murrini by Lori and Kim to make her awesome headpins:

And Donna Millard, who I admire for the videos she shows of her large gathers before she pulls her murrini rods! This murrini by Donna:

 Made these beads:



 STRINGER

And finally, stringer.  Stringer is glass that is pulled off a molten rod of glass to make a thin strand of glass, used in decoration.  I can think of many people who have amazing "stringer control" - which means the ability to control how you apply your stringer onto a bead while controlling the heat used to apply it.  Here are some examples (the stringers are all the little lines you see "drawn" on the design of the bead):

Jelveh Jafarian



 JC Herrell


Holly Cooper





So there you have it, a simple lesson on three lampwork vocabulary words!  I hope you enjoyed the post today, as well as the eye candy!




Susan Kennedy
SueBeads Etsy Store
SueBeads Web Site

Monday, March 3, 2014

February Component of the Month Challenge Reveal - Fluttering Hearts!

I am so honored to be part of this group of talented, kind and generous jewelry artists here at Art Jewelry Elements!  One of my favorite things about being part of this team is participating in these Component of the Month challenges...it is so much fun to receive such gorgeous, unique pieces from these wonderful artists.  I have to say it is sort of humbling when it comes your turn to be on the 'component provider' end!

For February, I decided to offer hearts that I hand-cut from copper, shaped, then torch-fire enameled. The finishing touch was the addition of colorful glass frit.



Below is our team of designers for this month.  I can't wait to see what everyone created!  How about you!

Guests...
Lori Bowring Michaud 
Kathy Lindemer
Kim Bender 

AJE Team...
Melissa Meman
Jenny Davies-Reazor
Rebekah Payne
Caroline Dewison
Kristen Stevens
Keirsten Giles
Sue Kennedy

Oh, by the way, the lucky winners of  Caroline's beautiful moth components for March are  Niky Sayers (SilverNikNats) and Helen (HelensHarvest)

Thursday, March 28, 2013

A Change Is As Good...

My much discussed bead show is a little over a week away now and apart from a small pile of finishing my inventory is almost complete and it's just as well because frankly, I've had enough. I'm tired...bone weary tired with painful hands and probably worse - I'm beginning to get bored.

Don't get me wrong, it's not that I don't love what I do or appreciate the opportunity to meet customers face to face, but I usually only make small numbers of any item and I just don't do well with repetitive tasks - never have and never will. But it's easy enough to remedy and this week I've taken a few hours out just to do something a bit different and on a smaller, more joint friendly level.

A few weeks ago I started paying around with some ideas for combining enamel with Bronze Clay and made these flower pendants...


I've been wanting to progress with this idea some more and decided to try the process out with frit - the lovely crushed glass mixes that lampworkers use to decorate their beads. I have tried this once before and the results were a bit muddy so this time I set the frit on the base of white enamel and got a much clearer and brighter result...



I was really pleased with the effects I got here but wanted to do something other than flowers. The pieces need to have enough depth for the frit to pool in and this took me back to something else I've been wanting to develop more - these lovely shell sections.


And I have to say I'm really quite pleased with the results... the shell imprints create a kind of natural Cloisonne framework and I love the vibrancy of the colours within that.

 
This is definitely something I will be taking further and will be on the look out for interesting objects to create frames from - do let me know if you have any ideas.

So while I have to grit my teeth and return to completing my repetitive show tasks for a few more days, I hope you all have a wonderful Easter and don't overdo it on the eggs.

Lesley
The Gossiping Goddess