Showing posts with label rustic jewelry. Show all posts
Showing posts with label rustic jewelry. Show all posts

Friday, July 18, 2014

Rocking The Rustic

I have two tutorials in mind that I'd like to share with you, but the truth is that I'm not quite ready today to invest the time required for writing and photographing the step by step instructions.  Sooo, we'll add them to our "Something To Look Forward To" file. 

Instead I'm going to share some of my favorite rustic components and jewelry with you.  This is such a vast and lively field of design that one could do many blog posts on the same topic.  There's no way I'd be able to include all my favorite work in this category.  But here's a start.

So just what is rustic style? I have a feeling that everyone might define it differently.  But here's what the Encyclopedia Britannica has to say:  
rustic style, in decorative arts, is any ruralizing influence; more precisely, a ... (style where) the main components of which are carved and fretted to resemble the branches of trees. Stemming from the idealization of nature and the “simple life” that occurred in the mid-18th century, the vogue for this kind of product persisted well into the 20th century. It was especially popular in Switzerland, Germany, and Austria. It naturally endeared itself to the British Victorians, with their passion for the picturesque, and was also generally admired in the United States...
Woodland Cuckoo House by Starry Road 

Some sources that I looked at called it modern-rustic style and tied it in with organic and renewable materials, highlighting an appreciation of nature.  This would include woodland themes, the use of natural materials such a wood, hemp cording and leather.  It is a style that is inherently casual and unfussy.

Owl Bracelet by Button Up Beads 

Colors tend to be a soothing combination of warm mid-toned wood, with shades of soft gray, cool clay and greens. Other colors may serve as subtle accents, but don't expect any garish brights in this style.  That seems to hold true for all the items I have collected for this post. Would you add any other colors to the list?
Bare Tree & Crescent Moon Pendant by Jenny Davies-Reazor

Sometimes rustic gets lumped together with its girlier cousins: "shabby chic" and "country charm".  I've been very conscious of this distinction over the past few years as I've been updating the look of my show booth and my shop.  A paint peeling bird cage or tea stained doilies have a somewhat rustic look, but they speak more toward "country charm" than rustic.  Instead I've used grayed woods with earth-toned and clay colored table coverings. Next on my wish list is linen or burlap covered jewelry displays.  

I make sure that my photography consistently expresses "rustic" as well.  My jewelry is photographed on a rustic slate tile.  Props consist of a piece of wood with rustic bark and lichen.  The woodland theme is emphasized further with the ferns and flowers that I include in nearly all my pictures.


I hope this tour of rustic goodness will inspire some new designs for you.  Look for a tutorial soon - hopefully on Sunday.  Till then-
-Linda

Sunday, February 2, 2014

Shard Babies All Grown Up

On October 29, 2013, I shared some recent experiments with you, where I was attempting to capture the look of ancient pottery shards in metal:

Most of these pieces have since "grown up" into finished jewelry. I wanted to share the finished pieces with you!

After I got my patinas the way I wanted them (which included, on some of the pieces, a whisper of gilder's paste over the top to bring up some pattern), I sealed each one with three coats of Permalac and a coat of Renaissance Wax on the front (which darkened the colors nicely) and one coat of Permalac on the back, which I left as bare, burnished copper. The two green pieces and the teal piece also got several coats of Age-It over the top (available from Sculpt Nouveau--I LOVE this stuff, it's like tea-staining, but for metal patinas.)

Here are the creative homes they eventually found. This piece includes amethyst nuggets and Indonesian glass in a lovely cinnamon color from Happy Mango Beads. (I've been totally into making bar chain, linked with wire wrapped beads.)
Jacob's Grape-a-Licious Ladder
This one has carnelian, amethyst, red agate, golden jasper, carnelian, bronzite and a sea urchin spine. And more bar chain.
Aztec Sun
I paired this one with rhyolite, prehnite, Czech glass, dragon's blood jasper, Indonesian glass, and I think green opal. I've been doing this knotting thing, where I put one strand through the bead, and the other one around the bead, and tie a half hitch at the end, and then a regular overhand knot with both strands, and then on to the next bead, alternating which strand goes in/around the bead. It makes for an interesting jumbly, nubbly, irregular pattern.
Leafy Greens
This one has lots of recycled glass and Indonesian glass (all from Happy Mango Beads) and one of my favorite Karen Totten (AJE member) beads:
English Garden
For this one I went with sunset colors, with carved flowers in poppy jasper, tiger eye, fancy jasper, and red agate; red creek jasper, red picture jasper, moukaite jasper (I'm all about jasper, apparently), and a dash of Indonesian glass in amber.
Sunset Bouquet
For this one below, I channeled my inner Leprechaun. I chose large, irregular turquoise heishi, prehnite discs, celery green and blue-green kyanite, emerald green aventurine, golden jasper (I'm making that up, I don't know what those little goldenrod-colored stones are), peridot, moukaite, "prehnite" chalcedony (on the clasp ring), and a fabulous handcrafted porcelain leaf by Karen Totten (I actually started this with just the focal and Karen's leaf, and riffed off that). I've been doing this thing with my own oversized, tube-riveted bead tips (those are the copper tabs at the end of the knotted portions).
Interview with a Leprechaun
For this one, I decided to go hog-wild with my sterling silver stash. I hadn't been using it partly because of price, and partly because of my love affair with copper, but I figured, hey--the money's already gone, might as well use it; and I just thought the teal and turquoise cried out for silver. I went with more more of my turquoise heishi, a flat turquoise drop, kyanite, African turquoise, green apatite, bronzite and pale topaz Czech glass (the color makes me think of whiskey and soda) to draw out the browns in the focal (purely serendipitous--this came from the Age-It treatments, I didn't use any brown patinas). For both this piece and the one above, I used a deliciously rustic, undyed Irish waxed linen cording from White Clover Kiln that's slightly thicker than the other shades of Irish waxed linen. I recently got a huge spool of it from Mary so now I can go crazy with it! And notice more bar chain, this time with double-ended ball headpins wrapped around the middles.
Treasure of Tenochtitlan
Phew! Seven down, two to go...Thanks for looking!

(The ones with links above (in the captions) are still available in my shop, Lune. The items without links are already sold.)

Keirsten
Lunedesigns
The Cerebral Dilettante
Keirsten's Flickr Photostream