Showing posts with label metalwork. Show all posts
Showing posts with label metalwork. Show all posts

Friday, September 16, 2016

IT'S ME

Yes, it's Me! Cooky Schock, one of the newest members of the Art Jewelry Elements Team.  I'm creative, happy and grateful. But in reality I create in total chaos; I actually thrive on chaos-it's my happy place! I'm very asymmetrical in all I do, even my appearance.


I come from a nursing background so I did live in a very structured, well-organized world for a long while. And I am very grateful to be part of this community of artists. I have always been a maker of stuff: kids' clothes, bears, quilts and even quilted bears wearing kids' clothes. But seventeen years ago all that changed when I discovered The Shepherdess, a wonderful beadstore in Old Town San Diego. I learned to bead, create with wire and then work with metal, which became my passion.


I magically became the owner of The Shepherdess, which gave me the opportunity to meet wonderful teachers and students, all lovers of what I love! Three years ago The Shepherdess and I decided to retire and so we did!





Through the years I have had the opportunity to teach across the country, including Juneau AK and the Dominican Republic for Parson's School of Design. I continue to teach but I'm moving in a direction that has surprised even me.


 I've rediscovered a craft I did in the '70s this time more refined with an updated style that makes it more of a fine art. Welcome to my world of micro macramé!


It's a far cry from the plant hangers and fuzzy bearded Santas I made back then. My work has recently been featured in the Spring 2016 issue of Belle Armoire Jewelry and in the new Fall issue also.





I'm sure that metal will always be a part of my art,  enhanced by the captivating colors and textures of the beads and fibers that I'm creating with now.


Actually, it's a good thing that my work, equipment, tools and supplies are becoming a bit more minimalistic because 2017 will find us (husband & two dogs) traveling in our new RV across the country, wherever the road leads us!


Website: www.cookyschock.com
Facebook: www.facebook.com/cookycrumb
Instagram: www.instagram.com/cookycrumb   


Tuesday, November 18, 2014

Glass Craft Expo!


One of my goals for 2015 was to expand my teaching venues beyond Roadhouse Arts - and I was a little nervous about it, because there are some seriously awesome teachers out there. (You know that little voice in your head that wonders how you measure up? Yeah. Me too.) After a lot of back and forth, my friend and business partner Gail Stouffer finally suggested that I send applications in to Glass Craft Expo, and come up with some projects that would introduce metalwork to a very glass-oriented audience.


So I did.

And all four classes were accepted.

source
(Yes, I was a little excited.)

I had never sent teaching applications out because I was intimidated by what I thought the process was going to be, but it turns out to have been a lot easier than I expected. I spent some time imagining what metalworking techniques might be of interest to someone who loves glass, based on some of the things I learned in the first year I worked with glass. Putting myself in the shoes of prospective students is one of the things I do regularly when I'm developing my regular projects and classes, so this didn't feel particularly alien to me - but I also asked glass artists I know (especially my friend Gail Stouffer!) what they would want to know if they were just starting out with metals. Then I wrote up the descriptions, put together the sample projects and snapped some photos.

Classic Glass: Bezel Setting Cabochons



Bezel setting is one of those things beginning metalsmiths generally find very intimidating - I was one of them. There is very little that I find more rewarding that watching someone in that mental place achieve success with this technique - and all with a culinary torch, even with larger pieces.

Sticks and Stones: Prong Setting


Making organic prong settings for flat-backed cabochons is easier than it looks, and the results can be quite dramatic. It can also be done with a simple culinary torch, which makes it a terrific technique for the "kitchen table" jewelry maker.



This is a simple, uncomplicated cuff that combines some very useful techniques for people just starting out with metal: annealing and forging copper, drilling holes in glass cabochons, texturing and cutting metal, and creating and setting rivets out of copper wire.



I love this one! Some simple texturing and basic soldering techniques yields a unique, customized bail that can be added to any cabochon or pendant with a front-to-back hole.

* * * * *

I am so excited - and a little nervous! - about teaching at such a huge venue. I am sure I'll have some tips and lessons learned after I've actually done the teaching part, but for now I'm working on making all the glass cabochons I'm going to need. And if you're going to be in Las Vegas next April, I'd love to see you - make sure you stop in and tell me you're part of the AJE community!

Until next time -


Monday, November 10, 2014

Faerie Finery: The Handcrafted Jewelry of FaerieCon

I just got back from spending my weekend at FaerieCon East.  What is FaerieCon? "FaerieCon is a fantasy convention, featuring artists and authors working in the genre.  It's known for its Masquerade balls and marketplace of artist/makers."~Jenny Davies-Reazor

Yesterday, the last day of the show, I took a final walk through the vendors and chose several to share with our readers.  I hope you enjoy a peek inside this fabulous world...

One of the first booths I stopped at was Crafty Celts.  Crafty Celts creates historically inspired Irish and Viking-style jewelry out of sterling silver, bronze and copper.  Their work was featured on the History channels "Vikings".  I'm considering a Viking costume for next renfaire season and this shop will certainly be on my mind for accessories. 

The next vendor that caught my eye was Twisted Bliss Designs.  Twisted Bliss Designs specializes in sterling silver wire-wrapped jewelry.  I was very impressed by their wire-wrapping skills.  Incredibly detailed, especially the fabulous headpieces. Unfortunately, many of my photos came out blurry so you should check out their Etsy shop to see more of their beautiful work.

Seeing Vagabond Metalworks in person was a true gem.  I was blown away and very inspired by Kest Schwartzman's metalsmithing.  Organic and eccentric, I just loved this work.  In addition to amazing metal jewelry, Kest also creates spectacular metal masks...
I wish I could've come home with all of them!


For those of you that love polymer and resin, Art of Joanne Schempp had these wonderful dragon egg pendants for sale.  Joanne carved the original dragon egg and cast a mold. Then she used polymer clay to create the eggs and set and domed them in gorgeous blingy metal pendants using resin.  

My friend Lithia, owner of Lithia's Creations, was vending again this year.  Lithia recently started creating pretty soldered pendants by upcyling broken plates and tea cups.  She also had some art bead jewelry this year including those pretty dragonfly necklaces featuring pendants from Round Rabbit.

And for our metal clay fans, the stunning work of Silvan Arts was on display.  Silvan Arts features nature-inspired jewelry crafted from metal clay, with many of the pieces incorporating gorgeous gemstones.  If you'd like to see more of their work, visit their Etsy shop.


And last, but certainly not least was AJE's own Jenny Davies-Reazor.  How else did you think I knew about this event?  Jenny has been vending FaerieCon for several years and she had a wonderful display with her pendants, necklaces and tiles.  

I hope you enjoyed this little peek inside FaerieCon's jewelry vendors!  I can't wait to enter the realm of magic again next year!

Happy Beading!

Diana P.







Monday, August 18, 2014

Metal+Colored Pencils=Fun

Yesterday I had the pleasure of taking a workshop on using colored pencils with metal.  Now let me start by saying that I am extremely exhausted and overwhelmed right now by all things Bead Fest prep related.  This workshop was probably not the best timing for me and as such, I did not go crazy and make a project.  I kept it real simple and just played with the technique.
When working with colored pencils (we used Prismacolor) you want the metal to have raised and recessed surfaces.  You can achieve this through a variety of ways: repousse and/or chasing, etching, using a rolling mill, etc...  

I cheated and used patterned copper I purchased from Metalliferous several years ago.
I applied gesso to my copper blanks and heated them after each layer.  
After the gesso was dry, I applied the first layer of pencils.  Always start light with your application.  After I was happy with the first layer, I heated the piece again, let it cool and then sprayed a fixative on them.  Then I rubbed steel wool over the piece, applied more pencil and continued repeating this process.
These were the four samples I made.  I wish I had felt better as I could see myself having a lot of fun sawing out various shapes, soldering or using cold connections and making all sorts of fun things with this technique.  I'm sure once Bead Fest is over I'll have more time to experiment.

Now I'm off to the airport to pick up fellow AJE contributor, Lesley Watt at the airport!  

I hope you'll come see us at Bead Fest!  Lesley will be with me in the Suburban Girl Studio booth (#471A).  We'll have lots of beads for sale and we'd love to meet you!

Happy Beading!

Diana P.

Sunday, July 6, 2014

Make Your Own Simple Folded End Cones

I love strung and knotted pieces, and it always requires a lot of head-scratching to decide the best way to finish off the ends. Most of the time, I prefer to hide my "dirty work"--all the knots, crimps, etc.--involved in fastening the ends. This idea was inspired by some beadcaps I bought at a gem show:
I thought something like this might work as an end cone, if the two "wings" on either side were wider; then I could curl the ends over and hide more of my dirty work.

The easiest way was to just modify my poppy cap design, creating just two giant "petals." I started with a couple of discs, as usual (these are 1" in diameter, but you could make them any size you like), and textured them:
Then I made center holes, and two more holes on either side of the center hole:
I cut notches on both, as shown, with my metal snips, and rounded the ends a bit:
Then I annealed and pickled, then folded each shape over, as pictured, with my tiny bail-making pliers (but you could use a kebab skewer or something skinny like that as well):

Then I curled the wings on one side inwards, at a slight angle (so that it's slightly pointier at the top):
Then I folded the remaining wings up and over with my fingers, tapped them down gently with my nylon-head hammer, et voila!
Now you're ready to string and knot away!

Keirsten
Etsy
Flicker
Facebook

Sunday, March 2, 2014

Fun With Chain (and No Soldering!)

I love interesting chain, and I especially love it if it's handmade. I really love copper and am frequently disappointed that practically all of the commercial copper chain I see is either copper-plated brass or steel--no solid copper chain! I'm sure there's probably some economic or practical reason for this but it still gives me the frownies. So sometimes I make my own. I love looking at an interesting commercial chain and figuring out a way to make something similar myself--preferably without soldering! Below are three styles of chain I have enjoyed making that require no soldering or even sawing.

The first chain is a simple figure 8, made from heavy-gauge double-ended ball headpins. I haven't actually ever used it for anything, I've been saving it for the "perfect" project. The two lengths at the top are copper and sterling silver, and the ones on the bottom are copper and brass.
The figure 8s are joined by other smaller figure 8s, which are just wire hammered flat before being formed into the 8-shape. For the larger 8s, I just experimented with different gauges of copper wire, making figure 8s of various sizes until I found a size and gauge I liked (these are done with 16 gauge wire, and the smaller connector figure 8s are 18 gauge wire.) I left what I thought would be enough length to form the ball at each end,
unfolded it and measured it, and then cut a bunch of pieces that length.

I balled up the ends in my torch and then created my figure 8s,
And then hammered them.
I could have joined the 8s together with plain jump rings but I decided to do something more interesting and did the smaller figure 8s. You could do beaded links in between, or wrapped links, or whatever you want.

You can also use figure 8s without the balls (*snort* I said BALLS), such as in this bracelet I did a few years ago. Those are just plain figure 8s, doubled up, with a couple of big jump rings around the middles. I did saw these jump rings, but there's no soldering here.

The chain below is based on commercial chain I have seen that I liked. I thought, "I bet I could do that myself!"

For this I just start with 6mm widths of textured copper sheet (I think this is 24 gauge--click HERE for a brief explanation of how this sheet is embossed) and hammered rings squashed into ovals (I just turn them on their sides and tap them with the hammer into an oval shape):

(It doesn't matter to me that the cut section of the ring is ugly, because it's going to be hidden inside the textured sections; but if you wanted to, you could certainly solder them closed and make the invisible parts tidy.) For the chain above, each textured strip is about 28mm total length. I curled the ends with the 3mm barrel on my step jaw pliers. The rings are formed from 14 gauge wire on the 6mm barrel of my step jaw pliers. Here's what the back looks like (I kind of like the back too):
And from the side you can see how it's formed:
It's not perfect, but I like my jewelry like I like my men. Primitive.

The last chain is a simple twisted bar chain. You cut a piece of wire, hammer half of it one way, the other half the other way, and put a hole in either end. Ta-da!
It looked plain so I wrapped the middles with double-ended ball headpins (or "bones," as I heard Shannon German call them once.) The ones below are just plain, obviously. You can link them with plain jump rings, or beaded links, or whatever you want. I especially like using the bar links for sterling chain, because you get a lot of mileage out of it for not a lot of labor or cost (compared to doing fiddly little round or oval links--especially if they're soldered. Ew. Not My Thing.) I think this is 14 gauge wire.

There is some other chain I want to try, some with some simple soldering and another with textured washers. I'll let you know how that goes!

Keirsten
My Etsy Shop
My Blog
My Flickr Photostream