Showing posts with label melismatic art jewelry. Show all posts
Showing posts with label melismatic art jewelry. Show all posts

Friday, September 25, 2015

What is Hubble?

No I am not going to be discussing the Hubble Space Telescope.  Although It would be cool to look up all the pictures and dream about what is out there.  I am actually talking about a new stitch by Melanie de Miguel of Beadschool.

I was very intrigued when this book first came out.  A new stitch is rare to see. I have not yet gotten my hands on it but lucky for me I do have a subscription to Beadwork Magazine and they had a feature on this new stitch in the October/November issue.

As I looked at the stitch I did realize I have seen a similar stitch in Beth Stone's Seed Bead Stitching called a quad stitch.  A stitch she stumbled on while teaching her daughter the tri-stitch. However, the connecting thread path is very different with the Hubble stitch.  Let me assure you that you WILL need to purchase either the book or this issue of Beadwork to learn it because the key to it is the unique thread path connection. It also resembles the Right Angle Weave stitch at first glance but that is only at first glance.

I started out with the basic stitch and there is some getting use to tension and thread path.

Tension is the key.  Too much and it does not sit properly and too little makes gaps between connections.  Once I got the hang of it as many of you know I love taking knowledge that someone has shared and make it mine so I played for a bit.

As you can see I made a rope.  I almost gave up but once I found the trick to stepping up to the next level I really enjoyed it.  Then of course I would need a pendant to go with it.  And as per my usual style I did not make it an easy choice.

I love this pendant by Melissa of MelismaticArtJewelry.  It was a Component of the month piece I just couldn't figure out how to showcase it.  Now I will not tell you this bezel is perfect but I learned so much that I will be trying again soon.

After making the pendant I loved the combination of the matte and shiny beads so much that I tried something different from the original rope.

I really love this.  The small change in bead size created a cool texture to the rope.

"Hubbling" has many possibilities.  As I learned I have thought of a few things I would like to try with it.  If you give it a try have lots of patience.  Tension will test you but once you get it I think you will find that it is fun. At first it is not a quick stitch but I am sure once you get into a rhythm it will go faster.  For example with a rope it will take longer than a Russian Spiral but not as long as Cubic RAW.   It has a fabric type feel that is nice to wear when you are looking for that softness and feminine feel.  Give me a shout if you try it I would love to know what you think.


Saturday, June 13, 2015

Beach Vacation Jewelry Designing

I'm getting ready to leave tomorrow with the boys on a much deserved trip to the beach!  Yay! Fun in the sun, or not, as the weather report seems fraught with clouds, rain and storms. (sad face)  As much as that seems like a downer, I don't really care.  If I can look at the waves, and hear them thunder to the shore and walk with sand (wet or dry) under my bare feet, I think I will be okay!

From our trip to the same beach a couple years back!
If you are like me,  when you go on a family trip, you need some creative things to keep your hands busy when you are bored or the rest of the fam wants to do something you are not particularly interested in.  What to bring, though?  Lately, my jewelry creation interests have been in the fabrication mode...soldering, enameling, metal clay and polymer clay firing. Can't bring the kiln, torch or toaster oven!  So, I usually resort to...beads and wire.

This trip I have decided to focus on some unfinished projects first...

My mixed-media pendants and metal clay pendant in various stages.
These are in various stages of completion...some just need a clasp, some need to have more links added, etc.  They have been in my "to do" pile long enough.

I also want to start a new "rosary" project.  I put quotations, because this will not be a traditional Catholic rosary in the sense that I am going to use my metal clay components, and I may or may not do the full 50 Aves with 6 Pater beads.  I guess we'll see.

My white copper components and gorgeous tiger-eye!
This is a perfect beach project for me, as all I need are wire, beads, pliers and a cutter.  How to pack it, though, so it doesn't take up much room and is all in one place?  I found these cool boxes at The Container Store ages ago and I like the flat, briefcase-like design.

Nice and flat, so it can stack in your suitcase.
Just add your materials, toss in your new favorite jewelry magazine for beach reading and for stabilization of the contents and you are all set!
I do have a couple of projects I wanted to get done before I leave...something new for me to wear!  My beach jewelry wear is usually very simple...just earrings, and maybe a bracelet or necklace at night.

I hoped to get a couple new pairs of earrings made for me...these are on my table right now:

Gorgeous stoneware by Diana Ptaszynski of Suburban Girl Studio, ceramic flowers by Joan Miller, and my favorite Czech glass beads.  Combinations to be decided and probably changed 20 times!
I would also like to create a beachy-themed bracelet with these gorgeous beads and maybe some leather...love Diana's starfish connector....I have been saving it! Don't Sue Kennedy's ridged lampwork beads fit with Diana's mix perfectly?

Yummy mix of beachy colors!
So, this is my rainy day beach plan!  Who knows, if we have wonderful weather, there may not be any free time to sit and do any of this, but at least I am prepared!  I'll try to follow-up and show any finished pieces next time!

How about you?  What kind of creative projects do you like to take with you on vacation?  We would love to know!!!!




Saturday, May 30, 2015

Saturday Share - Polymer Clay Headpins

Recently, I was presented with the challenge of coming up with a headpin component that could be used as a functional embellishment to another flat component.  With our fearless leader, Jennifer Cameron's gorgeous glass headpins as inspiration, I decided to try my hand at polymer clay ones.

My finished pin bouquet!
I started by making balled headpins of 18g copper.  Then I formed small round balls of clay. Initially, I wanted to keep them round and embed the copper pin within the ball, but they kept getting way distorted and plus, I wanted to texturize the clay.  I opted to flatten the balls by pressing them into my rubber stamp, then pushing the headpin through the middle.

Raw clay with headpins, and little balls waiting to be smushed.
I questioned whether just baking them as is would be strong enough for functional use, so I added liquid clay between the pin and clay.

Translucent liquid clay around the base of the headpin.
I pushed the clay base up to the pin, then cleaned off the excess liquid clay.
I also added it to the back of the piece, trying to work it down in the crevice!
I let them dry overnight and then debated how I was going to color them.  I decided I wanted them to have an "old world" feel to them and the texture plate I had used reminded me of a damask-type pattern, so I opted to use Pearl-Ex powder before baking, which left them with an irridescent glow.

After baking, I sealed them with Varathane in a matte finish.  Success!

In a light bulb moment, I thought this design would be cool with translucent clay, and had recently acquired a few packages of  Pardo Translucent clay.  After I first started playing with polymer clay, I purchased a great tutorial by Ginger Davis Allman, of The Blue Bottle Tree, featuring faux glass effects and wanted to give it a try.

After tinting the base clay with various alchohol inks, I made my bases as before.

After adding liquid polymer and  Pearl-Ex, plus some additional texture.

These turned out just ok...not very translucent though.

These, however, turned to molten blobs!

Well, as you can see, I need to go back and figure out my baking time/temperature for these!  My hubby really liked these burned ones, though!  I definitely will be adding some of the original ones to my shop and will be playing with the translucent ones some more...stay tuned!

Thanks for stopping by!





Saturday, May 16, 2015

Throwback Saturday - Free-form Wire Fibula

Hi all, I have been pretty much consumed with a project that I can't share at the moment, so needless to say, have only had it on my mind!  I thought I would re-post a fun wire tutorial from the vault today...

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Today, I am sharing a fun, quick, and fairly easy project ..a free-form wire fibula! These are so cute.  They would make a great, inexpensive teacher gift!

Materials needed:

large gauge wire - approx 24 inches
pliers - chain and round nose
steel block
hammers - planishing and texturizing
torch - for annealing wire
patina of choice

Start off with some fairly large gauge wire...I used 12g copper.  Be prepared to anneal it throughout the project as it will work harden really quickly.


  • Flush cut one end and file smooth. Hammer to flatten.
  • Using your chain nose pliers, bend flattened area over to form hook (approx. 1/4 inch)
  • Using round nose pliers, form a loop behind the hook as shown.


  • Continue to swirl wire around the beginning loop. This is where the free-form comes in!
  • Create whatever shapes you desire


  • When you have acheived your desired shape, begin the loop to form the pin.
  • Straighten the wire and wrap around the base of your round nose pliers, looping twice.
  • Don't fold down to the hook yet...you need to tap out any kinks, making the pin straight and hard


  • Now you get to texturize! Hammer to your heart's content!
  • Using your round nose pliers in the double loop, bend the pin over to fit under the hook.
  • Measure about another 1/4 past the end of your design and cut with flush cutters at an angle
  • not pictured...hammer and flatten a bit and flush cut other side to form the sharp point.
  • File and sand, keeping the point, but getting rid of sharp burs on the edges
  • Patina as you wish, polish or tumble
and, voila!



The design posibilities with this design are endless...add an art bead or beads to the shank, wire wrap parts, use different wire!

Here are a few I have made in the past...




So, go get your wire and your pliers and have fun!!


Saturday, May 2, 2015

Saturday Share - Lessons Learned, or Don't Be Like Me!

Yay, Spring is finally here!  Flowers are blooming, birds are singing, grass is growing, and lots of arts & craft festivals loom in the near future for many of us!  I actually don’t participate in very many, but have one coming up tomorrow, so now is the time for last minute panic and total chaos.

Unfortunately, I have been very distracted this past week...changes in corporate structure and procedures at work, other jewelry deadlines that are looming, bronchitis, and other family/personal events.  So, here is a quick little blog post about what NOT to do!

Last night I decided to work on some pendants for quick necklaces...the main pieces were complete, but I wanted to solder on some little bezel cups and include some tiny cabs for ornamentation.

Rose-cut moonstone, chalcedony and purple chalcedony with sterling bezel cups.
I did the soldering and while I was at my station, worked on a couple of my molten solder pieces that use plumber's solder.  In a hurry, I went up to put my soldered bezel pieces into the pickle and without thinking, tossed all the pieces in, then went about getting dinner ready.

These are what I pulled out..

Copper-plated bezels with sterling ones for comparison.
As you can see, the sterling bezels got copper-plated!  In my rush and distraction, I accidentally tossed the pieces with plumber's solder into the pickle as well which caused the copper to plate to the silver.  While it doesn't look bad, and I could have done it on purpose if I had wanted, I like the look of silver bezels on copper backing.

Unfortunately, the molten solder pieces are a total loss...

Not sure if I can salvage these...the back of the cross was etched as well...I had high hopes for it :(
The pickle is ruined at this point..any silver I put in will get the same copper plating...but, as it turns out, I need to add some more solder to one side of the larger cup, as the last bit didn't flow all the way around.  So the tainted pickle will come in handy to cover the silver solder that I use!

The moral of the story and lesson learned...metalsmithing, torch and chemical use during jewelry making is something that you should save when you aren't tired, sick, or distracted!  Luckily, I didn't have any other type of accident during this session!

Thanks for reading :)


Saturday, April 4, 2015

Saturday Share...Lacy Copper Washers

Haven't done a Saturday Share post in a long while, so I thought I would come up with a quick one! You all know of my affinity toward copper washers.  I love them for their versatility and since every time I go to Harbor Freight, I buy a new box, I have lots of them!  A month or so ago, I was working on a project that can't be shared right now, but was using a needle-lace technique I love, when a light bulb went off and I decided to try these Lacy Copper Washers!

These loops aren't even...don't be like me!
Materials needed:
Copper Washers
24g copper wire (about 1 foot per washer)
steel block
texturing hammer
round nose pliers
hole punch or drill

Choose your desired size of copper washer. The thinner ones are easier to punch and don't take as much annealing!

Anneal thoroughly and texture as desired with your steel block and hammer.

Mark where you are going to punch holes.  Evenly spaced holes makes for consistent loops.

Punch or drill holes...make them large enough to accomodate at least 2 passes of wire.  These are actually pretty just like this!

Thread end of wire through the front, leaving a short tail.  This will be trimmed and tucked in later.

Wrap the wire around the edge of the punched hole.

Make a loop and thread the wire through the next hole in the opposite direction (from the back).

You can use your round nose pliers or a thick piece of wire to help keep the loops the same size.  Place the pliers in the loop against the metal and pull the wire tightly.

Continue until you have completed all the loops.  Trim the ends and press tightly to the metal.  File or sand any rough edges.

A cool variation...add a bead before threading the wire to create your loop!
There you go!  The possibilities are endless!  I think I am going to enamel some!  Stay tuned!