Showing posts with label polymer. Show all posts
Showing posts with label polymer. Show all posts

Wednesday, August 24, 2016

Bead Fest: A Feast For The Eyes

Bead Fest was held over the weekend.  It's one of the highlights of my year and I've been attending since 2004.  I've even been a vendor at it 3 times (and might again in the future).  This year I went for fun; to see friends and do some (lots) of shopping.

Welcome to Bead Fest
You need to be careful at Bead Fest.  It's easy to go waaaaaaaaaay over budget in a short period of time (ask me how I know).  I told myself to lay off so many art beads this year...hahahahahahahaha!  Ok, yeah that didn't happen.

Gardanne Enamel Components
Explain to me how I'm supposed to do that with such fabulousness like Gardanne Beads enameled pieces?

Thornburg Bead Studio
Nikki/Thornburg Bead Studio brought some of her gorgeous lampwork urchins with her.  I ended up buying a bunch of lampwork headpins from her though to assist me with our AJE headpin challenge.

Penn Avenue Pottery
Tracey/Penn Avenue Pottery had oodles of fun ceramic beads to choose from.  I found myself trapped (totally against my will) at her booth for awhile, with my hands stuck (yes, I couldn't pull them out) in those trays.

Staci Louise Originals 
After my escape from Tracey's booth, I ended up at Staci's booth (that's a lie, I'd been there probably 500 times already by Saturday morning...my apologizes to Staci).  Her booth looked like a magic unicorn had visited with all the beautiful rainbow colors.  I added more beads to my gigantic Staci-collection.

Staci's bags
In addition to her beads, Staci also brought some of her hand-dyed and stamped bags with her.  I own a luna moth bag and it was perfect for shopping the show.

In fact, several bead-makers brought other art with them in addition to their beads...

Diane Hawkey
Diane Hawkey had some of her whimsical pot head planters and house sculptures for sale in her booth.

Beaded Chic Fused Glass
Donna/Beaded Chic has been playing with fused glass lately and brought some new pieces along with her table full of lampwork!


Marsha Neal
Marsha Neal had beads, tiny pottery and her needle-felted creations at her booth.  

Jenny Davies-Reazor
AJE's own Jenny Davies-Reazor had some of her gorgeous tiles and needle-felted/bead-embroidery pieces for sale at her table.

Firefly Design Studio
Michelle/Firefly Design Studio had her beach-inspired dishes with her!

And of course there was gorgeous jewelry at the show...

Marcia Balonis and Pam Garbig
Marcia Balonis and Pam Garbig had a table full of beautiful samples and kits for sale.  I brought home one kit and will be writing about it on here in the near future. 

There were also great tools for sale!

Lucet
New AJE member, Cooky Schock had a booth and I came home with a lucet and some cord from her. You might recall the recent blog post that Cooky wrote for us about the lucet.  This great little tool helped make my 5+ hour car ride home go much quicker!

Xuron
Treated myself to a new Xuron plier.  Soooooo comfortable!

Funky Chain, ParaWire, Gemstones
This was just the tip of the iceberg of what was available at Bead Fest!  You're probably wondering what I brought home with me, right?  Let's take a peek...

Pottery Purchases
A bunny pot head planter from Diane Hawkey, a ring holder from Marsha Neal and a dish from Michelle/Firefly Design.

Tools and Kits
The lucet, cord for the lucet, some dyed Stiff Stuff (Bead My Love), spiffy new XBow Series Xuron pliers and a fab kit from Marcia Balonis.

Art Bead Haul
And this is the art bead haul.  So many beads, pendants, headpins and cabochons!  

Bead Fest 2016 was fabulous as always and while I hate to see it end, my wallet requires a year to recover.  See you in 2017, Bead Fest!

Happy Beading!

Friday, August 12, 2016

Enshrined - the Evolution and Reveal.


SHRINE

  1. 1a: a case, box, or receptacle; especially: one in which sacred relics (as the bones of a saint) are deposited.  
    b: a place in which devotion is paid to a saint or deity: sanctuary  
    c: a niche containing a religious image.
  2. 2a place or object hallowed by its associations
A sampling of sculptural shrines I have made over the years. All smaller than 8 x10".
I love the concept of the shrine. A place where things are set aside, reserved, made 'more'... a place where attention and importance are focused on an item. I have been making sculptural ceramic shrines for over 10 years. Small in scale they are intimate, personal - icons of a sort. I fill them with items from nature, found objects, symbolic objects that reference myth, archetypes, and the natural world.

I have been musing on shrines in a miniature format for a while now. How to create a niche? Hanging mechanisms? And most importantly - scale! What is small enough to wear and large enough to enshrine a small treasure? Working with ceramic clay, I work when the slabs are "leather hard" (imagine a firm slice of cheese...). They can support their weight, and be joined in mired corners, carved, embellished. How to translate this to polymer?!

1. First two large hollow shrines. 2. Detail of bail and textured sides 3. 2nd batch - very deep. 4. Making progress! Thinner more wearable scale pieces. 
Polymer as I know it has only two stages - raw/soft and cured/firm. My first attempts were made of elements cured then assembled. I made the niche, the back, the front - cured the pieces. Then I assembled them with liquid clay and added the textured sides/surround. These are my first creations - the two at the top are rather large, in my opinion at app 2.5"tall. While it worked - it was very fiddly, not something that lent itself to small scale production. The fact that they were hollow was great - but polymer is so light. Do they need to be hollow? Back to the drawing board.

Solid construction. Playing with beaded bails. 
Solid construction is the answer! No sagging uncured clay. No sticky assemblage with liquid clay. and solid forms are easier to texture. The shrines above have beaded bails, and an antique enameled element.

Finding things small enough. That is a challenge. There is a sense of whimsy in using these small toys. I am ok with that... but they aren't enough. So I made my own polymer miniatures, made mold, and started creating. ( I need to redo that acorn.)
Small rubber? Plastic? Toys fit in nicely. But I was happiest with my own iconic polymer minis, which will be painted.  
This is where I wanted to be! I am really pleased with these! And they will be making their debut at Bead Fest this month. I am finally ready to share them with you all here, and the world. 

This is where I wanted to be! Stamped copper adds a layer of meaning! Holes run through point of top of arch.


So how is it done? Here is a peak at the steps in the process:

Stages of construction. And playing with pan pastels. 
Comparison: toy hare and polymer mini hare ( still needs painting) 
I really see these as a series  - I have so many ideas for colors, patterns... and inclusions. I'm pretty excited with the results and pleased with the continuity it achieves across my body of work. I would really like to hear your comments! 

And if you are at Bead Fest - stop by and see them in person. I will be at #463 in Artisan's Alley! 

Wednesday, May 11, 2016

Bead Cruise 2016 Recap

On Monday, I arrived home after a week of fun on the 2016 bead cruise, hosted by Heather Powers.

Cruise ships in port in St. Maarten
This was my third time attending and this year my husband, Colin came along with me.  He also took all three of Heather Power's  polymer classes!

Coco Cay
Day 1 was boarding the ship and the welcome party at night.  Day 2 was our stop in Coco Cay in the Bahamas.  This was a nice, restful beach day.  I explored and found conch shells, sea urchins and lots of little fish.  

Tango by Beki Haley
Day 3 was our half-day classes.  I chose Tango by Beki Haley.  I struggled with right angle weave at first but Beki is a great teacher and got me on the right track.  I haven't finished the pendant yet but I'm pretty sure I will get this one done!  We also had part 1 of Heather's Van Gogh Sunflowers workshop in the afternoon (more on that below). 

St. Thomas
Day 4 was spent in St. Thomas.  Colin and I were originally going to spend the day at Coki Beach but we caught colds on the airplane and didn't feel up to it.  We decided to take a bus tour of the island instead.  We got to experience some fabulous views, go shopping and I still got to dip my feet in the turquoise water at Coki Beach.  

St. Maarten
Day 5 we docked in St. Maarten.  We walked towards town, found a small local art gallery and then shopped some more.  We lasted a couple hours before the heat got to us and we returned to the ship. After a shower, we spent several hours enjoying the view from the lounge on the ship.  Also, food. There was lots of eating involved...it's a cruise afterall!   

Van Gogh Sunflowers Class
Day 6 was the second part of Heather's Van Gogh Sunflowers class.   This class involved the most intricate polymer canework I've ever done.  It was a bit frustrating for me but it makes me appreciate Heather's work that much more.  You can see a few of the beads Colin and I created in the lower, left hand photo.

Tropical Bon Bon class
Day 7 was the final day and Colin and I signed up for an optional class.  I had so much fun in Heather's Tropical Bon Bon class!  I can see myself making more of these, including them as cabochons!  We had some free time after class and then went to the farewell party.  

Misc. scenes from the trip
On Sunday, we headed back to the hotel in Orlando and enjoyed the pool and some dinner with other cruisers who were flying home on Monday.  It was a nice way to end the trip.  

I just love everything about the bead cruise; the people, the workshops, the ports...  I highly recommend you give the bead cruise a try!  There are still a few spaces left for Bead Cruise 2017!  Click here for all the details and to register for the best bead vacation you will ever take!  You won't regret it!

A big thanks to Heather, all the instructors, sponsors and fellow beaders who made 2016 a wonderful experience!  I look forward to Bead Cruise 2017!

Saturday, April 30, 2016

April is for Amulets! The COM reveal...


The COM this month - these mixed media amulet beads - went out to team members and guests! A huge thank you to all who participated; I look forward to seeing your creations! 

Here are the participating blogs: 

Guests: 
Alison of Alison Adorns

AJE Team: 


Saturday, April 2, 2016

And the (April COM amulet bead) winner is....

Amulet beads ready to mail to winners... 
On Monday I will be mailing amulet beads to....
Jess Green and Brooke Bock!! Thank you to all who commented and I do so look forward to seeing your creations this month. (I will have more amulet beads this weekend at Bead Fest in Oaks PA - so please contact me is you are interested in purchasing one... )

Until next time - have a great weekend! 


Tuesday, March 29, 2016

April is for amulets... the component of the month.

I am excited to share these new pieces with you, our readers and my team mates here at AJE. This month I wanted to break out of the "clay cave" as I call it - and offer something different! I am busy glazing and firing pieces for the last Bead Fest Spring event - and taking a day to work in polymer feels like a welcome break. 

So - without further ado... my polymer amulet beads. 
Fresh from the oven, painted and ready
I love a wearable piece that has a message, or a meaning. And these take that to a new level. The core of the amulet is a piece of aluminum tubing and the beads are open at the top. I imagine them with a miniature scroll of paper, an image, a message... 

Amulet bead in hand - shown for scale. 

The facts: 

  • These focal beads are approximately 1.5" long. 
  • Some have corks, others do not. 
  • They are drilled through - so they can be strung easily or have wire wrapped loops added on...


You could win ONE of these - but let me surprise you... 

Want to play along? Here are the rules…

  • I will give away 2 amulet tube beads (chosen at random) to 2 winners selected randomly from those who leave a comment below this post. Your comment MUST include your EMAIL AND BLOG address so we can contact you should you win.
  • Please — only leave a comment if you can commit to creating a finished piece and blogging about it on the reveal date.
  • The names of the 2 winners will be announced on Saturday - April 2, 2016.
  • This giveaway is open to US and international countries, but please be aware that these will be posted from the US and international addresses will have longer postage times… sometimes up to 3 weeks.
  • The blog reveal will take place on Saturday - April 30, 2016.
I look forward to hearing your comments and seeing you at the end of the month! 



Monday, March 21, 2016

3D Stamps

In ceramics, or any other types of clay work, stamps and moulds are always a bit of a grey area. Can you use the design commercially? Do you have to give credit to the designer? Are you limited by a certain number of reproductions? It’s a minefield. So to keep things simple, I try to make my own wherever possible. 

Design Ideas

I have made moulds and stamps from all sorts of materials, clay, plaster, polymer, foam, lino, resin… they are all great ways to make your own mark and be able to reproduce it accurately.

Today, I’d like to share what I’ve been trying out to create a different kind of stamp using craft foam and fabric paint.

Craft Foam

The foam is from a craft store, sold as ready to decorate door hangers, 3 for £1 and they’re nice and thick (about 5mm)

Dimensional Fabric Paint

The paint is 3D fabric paint, this one was Tulip brand. It’s likely that other brands will give the same effect, but make sure whatever you choose has a narrow nozzle tip.

Tracing the design

For ease, I chose a design from one of my (copyright free) books and traced it in pencil on to baking parchment.

Transferring the image

The design was then transferred on to the foam by flipping the parchment and drawing over the design again

The design ready to paint

Here you can see the pencil lines transferred really well.

Painting the outline

Next, take your fabric paint and slowly and carefully draw over the pencil lines. It's tricky to get them neat, but you can tidy up any mistakes once you've covered the design.

Filling in the details

Use a paintbrush to pull out the paint for fine details. You may need to add an extra dot of paint to build up the design again. You want to try and keep the height level for a good image when you come to stamp it.

Tidying up the drips

If you accidentally splodge a bit, use a craft knife to neaten up the edge by scraping the paint back to where it should be. 

Once you’re happy with your design, leave it to dry. This paint takes 4 hours, but I left it overnight.

Using the stamp

Once they’re dry, that’s your stamp complete and ready to use. I found with the foam, I had to roll over the stamp with a rolling pin to get a deep impression, I’m going to try this on some stiff plastic for my next ones and see if that makes it a little easier to transfer the design. 

Drying out


These just need a bit of tidying up once they've firmed up a bit and I think they'll look great with a translucent glaze pooling in the design. 

The possibilities of what you can create are endless. It’s a quick and easy way to build up a good selection of unique designs!