Tuesday, December 2, 2014

Product Review: Rolling Mill Resource

I recently had the great privilege of spending a week in the home studio of metalsmith Melissa Muir. It was a working trip - I am helping her with some photos for her upcoming book about the hydraulic press - but we found plenty of time to play. Among other things, Melissa introduced me to texture papers from Rolling Mill Resource.... and I fell hard in love with the rolling mill all over again. I placed my own order after I got home and finally had the chance to sit down and play with it about 10 days ago.


I am so thrilled with this product that I could not wait to share it with you! Aside from superb customer service (which seems to be in short supply these days), Tracey from Rolling Mill Resource stocks an eclectic assortment of patterns and designs in a variety of sizes. The cost is reasonable, too - small sheets start at $2.50 and options go all the way up to large sheets for $12.60. My first order (shown above) included some small shape templates and - to my surprise - a very generous package of sample designs for testing in my rolling mill.  My second order included even more samples to play with before I committed my paid designs to the metal.


The designs are deeply laser cut into heavyweight paper - the brown patterns in the photos above are the recessed areas, which are crisp and clean even where there is a lot of fine detail. Tracey's free downloadable instructions are super easy to follow and give a great overview of the mechanics of roll printing that's very helpful in learning the process. I invited a couple of my more advanced metals students to have a play date in the studio with me yesterday so we could experiment with the patterns, and even for those who had never worked with a rolling mill before, the results were uniformly excellent. I don't think we got a bad roll print all day!


This is one of my favorites - and it's on a particularly thick piece of copper. The print is perfect.


I also love the subtle matte texture the uncut sections of paper leave on the metal.


Once we printed up a bunch of metal, we used some of the Rolling Mill Resource templates to make some components.



We had such a good time! And although we didn't wind up doing anything ground-breaking with the components we made, it was fun to experiment with shapes and patterns, and everyone left with lots of metal to play with at home.

My friend Dawn's earrings, using a harlequin pattern from Rolling Mill Resource
My earrings using Mikel's Flower pattern from Rolling Mill Resource
If texturing metal and roll printing interests you, Melissa has an excellent video on the difference between the embossing achieved in a hydraulic press and roll printing in a rolling mill. She also has a video on the process of roll printing which will give you a good look at how it works. And when you're ready to try some paper patterns, you won't be sorry if you start with the excellent selection at Rolling Mill Resource. You can even get them to convert your own photos to custom textures, something I plan to try very soon, and although I haven't tried any this way, the patterns are also suitable for use with metal clay.

It's such a pleasure to come across an artist who not only provides top-of-the-line customer service but also an excellent and original product. I have amassed a fairly substantial collection of their patterns in a short amount of time, and I am really looking forward to experimenting more with them. I have some ideas... now where did I put that extra time I was saving?

Until next time -


Edited to add: This is not a sponsored post, and I received no compensation from Rolling Mill Resource for featuring their products. I paid for the patterns I received, and my opinion is based solely on my personal experience with them. Melissa Muir is a personal friend, and all her videos are free to everyone on YouTube.


Monday, December 1, 2014

December Component of the Month and Giveaway!

It's my turn to host the Component of the Month!  Yay!  I've been excited all year about this because I revamped my rustic stoneware snowflake pendants and I love them more than ever!

If you would like to play, here are the rules…

  • I will give away one Rustic Stoneware Snowflake Pendant to each of 2 winners selected randomly from those who leave comments below this post. Your comment must include your EMAIL address so we can contact you should you win.
  • Please — only leave a comment if you can commit to creating a finished piece and blogging about it on the reveal date.
  • The names of the 2 winners will be announced on December 3, 2014.
  • This giveaway is open to US and international countries, but please be aware that international addresses will have longer postage times… sometimes up to 3 weeks.
  • The blog reveal will take place on January 3, 2015.
Good luck!

Diana P.


Sunday, November 30, 2014

November Component of the Month Reveal!

I always look forward to reveal day but I am super excited to see what everyone has made with my components!

I do not have a reveal as while I was finishing it a surprising thing happened that I can not reveal at this time!

Here is the list of participants...

Cindy Martin Shaw
Shai Williams
Karen Martinez


Linda Landig
Caroline Dewison
Francesca Watson
Jenny Davies-Reazor
Lindsay Starr
Jennifer Cameron


Saturday, November 29, 2014

Re-Runs are fun!

Hello dear readers!  I hope all you Stateside friends had a very Happy Thanksgiving and you international ones are having a wonderful weekend!  I, myself, had a very low-key day with my little family, enjoying fabulous food and family time.  Some of our favorite things to do as a family is watch old re-runs of movies or tv shows.  For today's post, I decided to stay low-key and share a favorite  "re-run" tutorial of mine...double headpins.  By the way, did you know you can find all our amazing AJE tutorials at one place?  There is a tab at the top of our page called "Tutorials and Favorite Pages"...just click on it to find this wealth of information!

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For today's installment of Saturday Share, I decided to write up a quick and easy tutorial for the double headpins (for lack of a better name) that I use in connecting components, such as layered pieces or discs.  I have had several folks ask how certain pieces are connected and I thought this would be a good forum to share!



After struggling with balled headpins in connecting layered pieces and discs, I had a brainstorm one day.  What if, instead of balling up the end of 1 piece of wire, I somehow melted/fused 2 pieces so that I could use both "tails" to better stabilize my components to the base?  Imagine my surprise, that after twisting the wire together and sticking it in the torch, just like normal torched headpins, it worked!

Here is my method...start with a piece of copper wire.  I like 22 or 20 gauge.  Fold it in half, press together and twist until you have about an inch twisted.  Torch until you have the size ball you  want, quench, and untwist! Simple, huh!




It really is!  Things to watch for...make sure the wire is touching throughout your twist. Any segments that do not fully come into contact with the other wire will melt through, leaving you with a single pin, or worse, will cause the balled-end to fall off.  If you are using scrap wire, you don't have to loop at the end, just twist the 2 together, but make sure the very tips are touching. 

If you want to enamel the ball, do so as you would with regular torched pins, before you quench.

I thought this would only work with copper or fine silver, due to their fusing capabilities, but decided to try sterling silver and it works!  It also works with brass/bronze.

Layer your components in your desired configuration...thread double headpin through the holes and make sure you have a good fit.


With these 1-holed components, I wrapped the tails around my base form...usually in the opposite direction for a stronger and closer connection.



When I use a flat base to connect to, like these earrings, I like to punch 2 holes, like a button, and thread each tail through their respective holes, then on the back, flatten them and tightly coil them.  Since the ends are exposed with this method, you have to make sure any sharp edges or burs are filed.  I squeeze with my nylon-jawed pliers to work harden, then I usually tumble to strengthen as well.


There you have it!! I am sure that I am not the 1st one to figure this out!!  It is a really versatile technique and can be used in all sorts of ways!  I want to try fusing several strands together and do some wire weaving, but that's another day!

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Update...here is a pair of earrings where I connected the center bead with a headpin that I created by fusing 5(!) strands of wire.  I used 26 gauge wire so that all strands would fit through the bead, the spread each strand apart to wrap around the five petals of the flower.


P.S.  Don't forget about the wonderful online sales that several AJE team members have going on this weekend.  Sue compiled the shop links and coupon codes here!