2013 and Beyond!!!

Hard to believe 2013 is coming to an end very soon!!

The technique I played with in 2013 is not really a technique but a medium. I have been wanting to jump in to Polymer clay for a couple of years, I finally did it this year.

I started with mostly painting these flowers and starfish.

then moved on to mixing color combinations
 and of course I had to start using Ammonite and Sea Urchin
 textures which have been a favorite of mine using PMC since I began in 2008.

Had fun with my Wonky Bead Blog hop!

Wonky Bead Blog Hop REVEAL

I can't say I have anything specific I want to learn in 2014,

 I just want to continue expanding my Polymer Clay techniques and continue working with Copper.

I want to play more with my own textures using

 Scratch Foam

 Photo Polymer Plates

 and my Sillhouette Cameo Machine.

Thank you all for coming along on this ride with me and I hope to continue with the fun in 2014!

Kristi

KristiBowmanDesign.Etsy

KristiBowmanDesign on Artfire

Beadyness from 2013 and Plans for 2014

Hello again! I hope you all are enjoying these last few crazy days before Christmas relaxing with a nice big cup of something warm and your favorite beads… Ha! I know that's just what I'm doing! ;-) Oh well, we can try…

In discussion for our last blog posts for 2013, our fabulous leader Jen Cameron suggested that we each share a new or favorite technique we learned this year and something we each hope to learn in 2014. So here's mine…

I can't say I learned any new techniques per se — mostly I just experimented with some ideas. As you probably already know, I really enjoying painting and have a paintbrush AND beads in hand whenever possible. (And of course paint all over my fingers and whatever surface I happen to be near!)

In my playing, I made variations of these beads — using scraps from past projects and adding a crackle effect with paint — it's a simple technique, but with very nice results. You can see my mini tutorial here.

Then I came up with this idea, doing more painting on the raw polymer surface…

Textured and painted in many, many thin layers and finally crackled to make these colorful "Tattered Butterfly Wing" beads. I'm really loving this effect!

And then one rainy day when my plans to go hiking were soaked, I made these…

Rainy Day Pendants made with tiny hand drawn umbrellas on shrink plastic and embedded in polymer… polymer that was painted, of course. They sure made my rainy day less dreary! These were inspired by Rebecca Watkins of Artybecca. You can see some of her designs here.

And, finally a peek at a technique I have in my sights on for 2014…

Bead crochet! My focus for the past few years has been my own bead making and my poor bead stash of gemstones, glass lovelies and art beads has dwindled down to a very embarrassing teeny tiny amount.

More and more I've been thinking about expanding my jewelry making and recently when browsing Etsy I stumbled across the above gorgeousness in someones favorites and knew I would have to learn how! It wasn't the first time I'd seen bead crochet, but these striking designs really caught my eye and inspired me. These are by Ann Teplova of Chudibeads on Etsy where she shares her beautiful creations and her tutorials.

Her patterns are amazing!

Ann's work got me looking for more examples and of course I couldn't forget about AJE teammate, the talented Kristen Stevens — she is always whipping up some beautifully detailed creation. These are a couple of my favorites…

And, I'm sure you already know about Kristen's beaded beads — gorgeous too! They were the CoM for November and I made these new earrings with the pair she gave me…

Finally, a few more bead crochet designs from Pinterest…

1.Autumn Lariat Necklace 2.Crazy Bead Crochet Rope Bracelet 3.Autumn Spectrum Necklace 4.Bead Crochet Lariat Necklace


So, hopefully for me, this new year brings more beads to replenish my stash and time for jewelry making. What new techniques have you learned this year? Do you have anything planned for 2014 yet? Do share!


Wishing you each a very Merry Christmas and Happy New Year with lots of time to enjoy family and beads!

Coloring on Metal

Not long ago, I stumbled across the work of Deb Karash, who does amazing fabrication work and likes to color on metal.

Yeah. You heard me right. She colors. With colored pencils. On metal.

Are those not stunning? Seriously!

Now, you know that I love all things metal. And when a friend showed me a Deb Karash piece that she actually owns, I decided I had to start experimenting. And let me stress: THIS IS AN EXPERIMENT. (Before I begin, I have to apologize for showing you the gorgeousness above and then subjecting you to my poor little copper etched cow. It's what I had available to play with, left over from a recent etching class. Be kind.)

After reading a whole bunch of stuff on the interwebs (a lot of which was contradictory, I might add) I set out with a small copper etched cow, a bottle of gesso, a 24 pack of Prismacolor pencils, a heat gun, and a few assorted odds and ends.

Before pickling and cleaning.

After pickling and cleaning.

I cleaned her up really thoroughly and dried her off with a clean terry shop cloth.

Then I gave her several thin coats of gesso, drying each one with the heat gun.

Set the hot piece on a bench block, which will cool it rapidly. Use pliers!

After several coats of gesso, I lightly sanded her to expose the raised areas of the etched metal and to smooth out any bumps.

Prismacolors! Don't you just love this tin? 24 great colors to play with - reminds me of the first day of kindergarten!

And then, literally, I just colored her in.

I wasn't particularly neat, and I pressed really hard with the pencils. As you may be able to see in this photo, that left some little wax crumbs behind. I used a soft, firm brush to clean those little crumbs off.

Then, I heated her up with the heat gun again, just until the surface of the color started to look soft.

I also scorched my clean terry shop towel. Don't be like me. (Seriously. Those heat guns are HOT. At about this point of my experiment, I realized I probably should have been heating Bessie on a soldering brick or something fireproof. You know, other than cloth. Sheesh.)

I repeated this several times: color, clean off, heat with the heat gun. Between heatings, I let the piece sit for a few minutes on my bench block to cool off. I should probably tell you at this point that several of the instructions I read online involved baking the piece in a 275 oven for 10 minutes. Between every layer. After putting Krylon spray on it. (Did I mention that this was after every layer?) This is why Deb Karash is so awesome and I am not: I am not that patient. Heat gun. ::Insert Tim the Tool Man grunt here.::

Then, after about three layers of color and the final heating, I buffed the piece with a terry cloth towel....

... and then lightly sanded it back with a sanding sponge.

And then, because I am incapable of doing anything with metal that doesn't involve either enameling or patina baths, I dunked it in Novacan Black for 30 seconds, which darkened all the raised etched areas that were exposed in the final sanding.

Final step: REN WAX!!

So let me point out that, once again, I diverged from the instructions on the interwebs because I am impatient. The instructions were to put the final coat of Ren Wax on the piece, let it dry, then bake the piece in a 275 oven for 10 minutes.

I think you can guess what I did instead.

The Ren Wax flashes and gets very liquid in just a few seconds. Then, when I put the hot metal on the bench block, it cooled immediately and I was able to buff it without waiting.

Because waiting = bad.

Here's the finished little piece - not my usual style at all, but I think there's a lot of potential here. I'm no Deb Karash (obviously) but I think with some further experimentation, this is a process that has a lot of promise for some of the mixed media work I'm fascinated by these days.

So what do you think? Worth some additional effort??

Until next time -

Serious note: heating wax and metal usually results in noxious fumes, most of which are really bad for you. Some of what I am suggesting here may not even be safe - I was experimenting, and I have a lot more research to do. If you decide to try this yourself, make sure you're working in a well-ventilated area and wear a respirator. I wear one in my studio whenever I solder or enamel, and I should absolutely have worn one when I was doing this experiment. Don't be like me.

Freeform Friday - Organic

... from Merriam Webster:  Organic 3a  : of, relating to, or derived from living organisms...

...from Albert Einstein: "Look deep into nature and then you will understand everything better. "

Today's post is inspired by nature, and organic texture. I am focussing on texture this month; my friend Cooky Schock and I are doing a collaborative year long exchange on our shared blog at Coast 2 Coast Creative. And natural textures are my absolute favorite. Mother Nature was truly an  inspired artist when she created marvels like sea urchins, tree bark, and seed pods! Oh seed pods... 

Eucalyptus pods from San Diego.

I use these frequently, one of my fav motifs. And such different designs, such diversity! They remind me of Medieval quatrefoils. 

Ocean and sea themed found objects in my studio. 

Plant and pod pieces gathered in my studio.

SO for this Freeform Friday I decided to make some molds. Positive and negative; and share some of my organic inspirations. These type of elements have been used to make impressions since early man was texturing clay pots. (Makes the pots less slippery when wet...) No one can fuss about copying, since we are all inspired by similar items. You can't copyright a peach pit! The trick is using them in your own creative way...

Polymer texture plates pulled from the original objects. When cured these can be texture press plates as is - a "negative" of the original. I will use them in both earthenware clay and polymer.
 L to R: peach pit, acorn cap, star anise, magnolia pod, poppy pod.

Ocean pieces and their "negative" polymer pieces. The sea urchin had to be taped back together for the picture...

When I make molds of my hand carved ceramic pieces, I cast them in plaster. That process ruins the original, as it is forcibly taken from the mold when set. For more fragile objects I have started using various brands of RTV. This "room temperature vulcanizing" mold material is so fabulous! ( I have used Micro Mark's and Alley Goop) Simply mix equal parts, press, set aside. Fifteen minutes or so - there you are! I cast my cured polymer pieces to have a flexible version of my new texture vocabulary. 

With the brain coral and seed pod shown above - I used the RTV on the polymer "negative" - resulting in a RTV "positive" that replicated the item's direct texture. Pressed in design? Raised up design? I can do either... And for one more positive image... I used black polymer to make positive stamps from these three RTV molds. The ideas I am having of that star anise pod! ( far right) pressed into clay, glaze pooling in the design... yummy. And poppy pod earrings? Sweet!

Many of my fellow artists at AJE are also inspired by organic textures. Leaves, sea urchins, shells... in porcelain, stoneware, bronze and copper... Feel free to browse! 

L to R: Kristi Bowman, Lesley Watt, Karen Totten, Diana Ptaszynski, Kristi, Lesley, Diana.

Until next time...

Jenny

www.jdaviesreazor.com

Books - under your tree?

Hello, my name is Jenny and I am a bookaholic. I have a Kindle -  I am moving into the current technological age... but some books are meant to be handled, fondled, browsed, and treasured. My in-laws are finally adjusted to the fact that books thrill me for Christmas gifts. For years they would get things from my wish list and then worry I would be disappointed with books under the tree. Nothing better than spending Boxing Day ( Dec 26th) curled up, coffee in hand, sleepy dog at my feet - and a brand new book.

Here are some favorites from my fellow AJE team members, and some we wish were under our tree....

The History of Beads : From 30,000 B.C. to the Present - we all all creating in a form that dates back to the dawn of man, and woman. It is fascinating to see the beads evolve through time, and yet stay universal...

The Penland Book of Jewelry: Master Classes in Jewelry Techniques 

I had the good fortune to study Ceramics at Penland one summer. I would recommend the experience to anyone serious in their medium. It is a transformative experience. And you are taught by the best in their fields...

Enchanted Adornments  by Cynthia Thornton

I have this book, and I love it! Cynthia works magic in a variety of mediums. Inspirational and inventive!

 The New Encyclopedia of Jewelry-Making Techniques: A Comprehensive Visual Guide to Traditional and Contemporary Techniques
 Recommended by AJE team member Lesley Watt - this one looks interesting!







PMC Technic: A Collection of Techniques for Precious Metal Clay by Tim McCreight - also recommended by Lesley - McCreight is a moderm master! Metalsmith who embraced precious metal clays...

Heat, Color, Set & Fire: Surface Effects for Metal Jewelry by Mary Hettmansperger   I personally recommend this book, and I know its on team mate Francesca Watson's wish list!  Phenomenal ideas for patinas, color applications - a must in my mixed media studio. 

The Jewelry Architect: Techniques and Projects for Mixed-Media Jewelry by Kate McKinnon - highly recommended by Francesca!















Creative Bead Weaving: A Contemporary Guide To Classic Off-Loom Stitches by Carol Wilcox Wells - I am not a seed beader, but this looks to be a comprehensive tome!

Masters: Beadweaving: Major Works by Leading Artists - also by Carol Wilcox Wells - a seed bead book of eye candy and inspiration. 

500 Raku: Bold Explorations of a Dynamic Ceramics Technique  - recommended by AJE team mate Karen Totten - although not beads or jewelry - a very inspirational book! I personally love the entire 500 series that Lark books publishes!









1000 Glass Beads: Innovation & Imagination in Contemporary Glass Beadmaking - eye candy of the lampwork variety. I find books or fellow artists work very inspiration, as a jumping off point, of course - not to be derivative, but to be inspired and put MY spin on things...

The Art of Enameling: Techniques, Projects, Inspiration by Linda Darty - a gorgeous comprehensive book on traditional enameling techniques. 

Amulets and Talismans: Simple Techniques for Creating Meaningful Jewelry by Robert Dancik - Confession - This is the most "my style" on the list. I have worked with Robert before, I create with similar goals in mind, creating talismans with meaning and intention. So yes - I am a little biased. 

Foldforming by Charles Newton-Brain
From Francesca's book shelf! I know many metal workers who are using this technique to amazing ends!

So what books do you think YOU would like to see under the tree? 

Disclaimer: I am receiving no special consideration from Amazon or the authors mentioned here. No money, free loot, jewelry, or thanks and appreciation. I simply love books!

And please feel free to browse our shops. As the season starts today with Black Friday we have many sales and tempting treasures... You can find all the details at our Holiday Open House page.