Showing posts with label myth. Show all posts
Showing posts with label myth. Show all posts

Friday, September 2, 2016

Echo and Wild - a Creative Collaboration

Let Merriment Abound! 

This year the Maryland Renaissance Festival (hereafter known as Ren Fest) celebrates its 40th year of merriment, mayhem, magic and history. Its no surprise I am a Ren faire kind of girl; I have been attending the MD faire almost annually for over 30 years. Yes, since I was a teen. Its a unique blend of history and comedy, of accuracy and fantasy, of theater and art, of seriousness and frivolity.
The Maryland Renaissance Festival! 
I have long been a fan of the artists that live and work at the Md Ren fest. In fact many a birthday gift I have received in the last 30 years were selections from the faire. But over the last 12 years as I have entered the local arts faire circuit, I have met and become good friends with many of these same artists. Yes, the faerie festival circuit is a world that overlaps with Ren Fest. The love of myth and magic, fantasy and folklore are uniting themes. 

My friend Jeanne Gibbons is the artist and one woman entrepreneur behind Echo and Wild jewelry. For years a fan and a collector, now a friend - this year Jeanne and I finally made a collaboration happen. Years in discussion mode - now a reality. So last week I went to faire, before opening, to drop off the fruits of out labors. I can show you a sneak peak behind the scenes... 
Echo and Wild - setting up to start the Faire season.  1. Echo and Wild booth in a state of show prep. 2. Jeanne's sons toys piled in the backstage courtyard. 3. The hidden world of vendors behind the fences. 4. the grounds - empty and quiet! 


Not familiar with the Ren Fest scene? 30 of 50 states have them! Its a day of interactive theater, with shopping, feasting, and drama! Jousting! Human chess! Sword Swallowing! Here is a promo clip from MD: The Maryland Renaissance Festival, a tradition for the entire family, begins its 40th season ...
The 27 acre Village of Revel Grove comes to life each autumn with more than 200 professional performers on ten stages, authentic combat armored jousting on magnificent steeds and streets filled with village characters. Join His Most Royal Highness King Henry VIII in the forests and glades with over 140 artisans exhibiting crafts in their own renaissance shops, five taverns featuring cool libations, 42 food and beverage emporiums providing a vast array of succulent and sweet treats to sate even the most hearty of appetites.

This is the view from Jeanne's booth. The neighbors, a drop coin press, were repainting the floor and doing booth maintenance.
Quiet in the Shire. The grass is green, and nary a patron in sight. 
So - I know you want to see the JEWELRY. Jeanne creates mythic, magical and meaningful symbolic pieces in sterling. She sculpts and casts all her work in her garage casting studio. I set to work to pair her pieces with gems. Nothing too elaborate, but meant to compliment, to accent. 
A sampling of our collaborative efforts. 
Four seasons faeries. A few of my favorites!
If you are local and go to the Ren Fest - stop by Echo and Wild! They are located on the Queen's Path as you enter the Shire.
Jeanne (on left) and a colleague. 
So next? All the pieces I sent to the Faire? I have duplicates for me - my work - my fall shows! I am so excited to continue to design with these pieces that speak my (our) language! The hardest part? Not keeping them all! 
My inventory for future creations! 
I am beyond excited to have collaborated with Jeanne whose work I have admired for so many years. I am also thrilled to have a presence at the Ren fest in some form. Perhaps a guest spot for me there in future years? We shall see... 
Until then... 
get thee to the Faire! 

Monday, October 26, 2015

Celtic Ravens - Myth and Magic

Raven Fey by Brigid Ashwood. Available as prints, totes, journals... 

There's a chill in the air. Mother Nature has freely splashed the colors of gold, pumpkin orange, deep red on the foliage. Costumes are being assembled with humor and fright. Its that time of year! Halloween? And October - time for the ravens to take the lead role as the theme this month.

For out AJE theme challenges - we invite you all to join us and create jewelry or art in other mediums, with ravens as the theme. Raven beads? Raven jewelry? yes and yes. Please see Karen's original post with all the details on how to participate. 

As I prepare for FaerieCon - I realized I have many artist friends/colleagues that love corvids (Corvus corax - common raven) I decided to share art with you today for inspiration - and knowing me - a little mythology thrown in... 

Meredith Dillmanis an artist and illustrator originally from Minnesota. She now lives in Wisconsin. She is known for her colorful watercolors which blend Art Nouveau, fantasy and Asian influences. She enjoys painting fairies, woodland creatures and other fantasy and medieval themes and has been drawing such since childhood. She is inspired by Pre-Raphaelite artists, Japanese comics, and turn-of-the-century book illustration.
Diverse raven offerings from Meredith: "Throne of Ravens" & "Raven's Treasure" 

Stephanie Lostimolo - "I suppose I've always been a "creator." I think we all are, but most people are forced to (or choose to) abandon their creativity in order to "fit in" or "get a real job." Sometimes I make books, other times I build worlds, still other times I fashion things out of horns, bones, and some modern materials like resin and polymer clay. I double as a graphic designer for many book projects, websites, and special events."

Clockwise from top left: "Fire in the Belly", "Raven Talisman of Protection", "Generations" and "Rosemary is for Remembrance". 

  • Ravens have appeared in myth from Ancient Greece/Rome to modern day Native American belief systems. While Karen shared more Native American inspirations in her original post - I am drawn to the Celtic mythos and to a lesser degree the Norse as well. 
  • Ancient Greece - ravens served as messengers to the gods, were considered lucky, and especially searched to Apollo, in his role as god of prophesy. 
  • In the Norse world, Odin the father deity was accompanied by two ravens, names Huginn (Thought) and Muninn (Memory). Each day the ravens fly out from Hliðskjálf and bring Odin news from Midgard. Odin was associated with knowledge, healing and runes among many other things. 
  • The myth of Bran and Branwen is a complex tale that links ravens to the Tower of London and the present day. The original tale is from the Welsh Mabinogion. 
  • In Celtic and Irish myth ravens are often associated with the Goddesses the Morrigan, Macha, Badb. Warrior goddesses all there then becomes and association with ravens and the battlefield, the slain. ( Ravens are omnivorous, but will feed on carrion) This trifold goddess is described below. 
    • Badb - an Irish warrior goddess known as the "Battle Crow". She is known to cause fear and confusion among soldiers to move the tide of battle to her favoured side. Badb may also appear prior to a battle to foreshadow the extent of the carnage to come, or to predict the death of a notable person. She would sometimes do this through wailing cries, leading to comparisons with the bean-sídhe (banshee).
    • Macha - warrior and goddess of sovereignty. Also associated with horses. 
    • Morrigan - also a warrior goddess, associated with strength and the cycles of life death & birth. 
Jane Star WeilsAncient cultures, myth and magick are the basic core elements that inspire my artwork. Fascinated with symbolic mythology, I try to weave a bit of symbolism into every painting.
I want to create artwork that draws the viewer in, unfolding and revealing it's meaning slowly.
Color is also extremely important to me. Exploring it's richness, the way light creates and interacts with it, and how even the darkest shadow has an unexpected depth to it. My medium is a combination of watercolor and colored pencil. I build up many layers with these two mediums and quite often will ad gouache or ink.


Jane Star Weils brings us: "Branwen ( white raven)", Celtic Raven", and "The Morrigan"

Brigid Ashwood - " Art. Words. Design. - I am an artist who paints steampunk bugs, clockwork dolls, fairy tales, magick and myth. I also write stories... My technique is well rooted in traditional mediums such as oil paint and silverpoint. But I also work in the luminous tones of the digital palette; merging the labored craft of portraiture with the flexibility of modern mediums." ( See her ravens that open this post)

Brigid shared a few images with me of an upcoming project. Her Morrigan concept drawing is shown below with its initial sculpt. Brigid has licensed designs and is working with Pacfic Trading to see these goddesses come to life in detail and color. The second picture here is the first completed sculpt! I love it, and think it maintained Brigid's original detail, palette and symbolism. (Releasing soon. Sign up for her mailing list for details. )
Concept drawing and sculpt preview of B. Ashwood's Morrigan

The Morrigan by Brigid Ashwood. 
I do hope you will join is for the Raven theme challenge this month at AJE. There is still time. (Details here.) I personally just had an insane idea for a bead embroidered piece while looking at these artworks. Gotta go sketch... 

Artists featured in this post retain all copyright; images used with permission. For more information: 

Meredith Dillman's website and store
Stephanie Lostimolo website and Etsy  store
Jane Star Weils website and Etsy
Brigid Ashwood website and store






Friday, February 27, 2015

AJE COM Theme: March Hares

The *new* AJE Theme challenge!
A variation on our Component of the Month feature!
 

1. A. Durer - Young hare, watercolor, 1502.  2. Lepus Leporidae   3. B. Flanagan - Leaping Hare, 1982 bronze
 4. M. Ohara - Ivory netsuke, mid 19th century
You, our loyal readers, know us. You know that we are constantly evolving, creating, discussing and challenging ourselves. This year the team decided to initiate four themed challenges, loosely aligned with the seasons. We wanted to offer a creative challenge that was broader in scope, drawing in bead makers, component makers, as well as designers/jewelry makers.


The theme for Spring 2015 is the Hare. 


We are creating hares in our respective mediums - from clay to metal, polymer to resin. We invite you to join us: create a bead, a pendant, a finished piece of jewelry. It may be whimsical, naturalistic, or abstract. Just hop to it. (Details on entry/participation at end of post.)

I selected the hare, as its my totem animal of sorts. In myths the world over the hare is associated with fertility, creativity and rebirth. I wanted to share a few stories here, and I will delve deeper into the myth and symbolism on my own blog throughout the month. I am continually inspired by these legends, myths and lore!

Now it IS March... "Mad as a March hare" comes to mind. This is a British idiom, referencing the antics of hares in their Spring breeding season. They are often seen "boxing" as a courtship display. The March Hare is commonly known from Lewis Carroll's "Alice in Wonderland".

Image credits: 1. Boxing hares 2. Boxing hares 3. Tenniel illustration from Alice in Wonderland
4. Cheeky hare by  Simon Litten
   
There are many pre-Christian goddesses associated with hares and springtime, including Kaltes, Freyja and Eostre, the namesake of Easter.  Spring is a time of rebirth and fertility, so the connection with rabbits is clear, and was maintained via the Easter Bunny.
Antique Easter postcard, the Germanic goddess Eostre, an antique chocolate mold. 

The Asian folktales and myths offer a wide range of hares, most often associated with the moon. In China the hare is the consort of moon goddess Chang-O, and grinds the elixir of immortality in a mortar in pestle. In Japan - he's making mochi! The hare is seen in the craters on the moon's surface, forging a tangible link between myth and reality.
1. Lunar rabbit netsuke by Eilchi, late 19th cen. 2 & 3.  Lunar hare in the moon diagram and noren 4. Ivory netsuke  5. Embroidery, Chinese Imperial robes, 18th century


Here is what the team has been up to: (I'll let the pictures do the talking!)


Rebekah's trio - arctic hare, hare, and jackalope! Melissa's molten morsels in progress. 

Caroline's stunning silhouettes in raku. 

Karen has work in progress! Available soon - complete with the iconic spiral of life stamped on these totem beads. 

Lesley has etched, and soldiers, and cast and fired... 

Lesley is glazing these beauties now! Niky, although new to the team, has jumped in, sawing these  pieces/WIP.  

My own old and new: casting a 3d detailed hare, my hare and lunar hare ceramic pendants . 

The *new* theme challenge details:

 

1. Giveaway - This theme challenge DOES include a giveaway! ( This will vary each time.) 
I will be giving away one hare and one lunar hare pendant - winners selected randomly from comments on this post. 
  • Winners selected Sunday March 1.
  • You must have an active blog. 
  • Email and blog address requested in comments. 

2. Goal - Have fun! Try something different! Hop to it! Be inspired by the creative nature of the hare! Make something that fits within this theme. This can be an artist bead, a component, or a finished piece of jewelry.    

       *You are free to use any artist bead/component in your design -
  • from an AJE team member 
  • of your own creation
  • from another artisan bead maker... 

3. Share/Reveal - Reveal date March 31st! 
If you would like to be included in the blog reveal at month's end, please email Jenny at jen.davies.reazor (at) gmail.com. Since this is open to all, this is the most efficient way to be included. Emails need to be received by March 29th  to be included. 


Rabbit manju


Resources:

Friday, August 22, 2014

Folklore Friday:

Hello! 
As you read this - I am at Bead Fest in Philly. I am selling, buying, chatting, teaching... and there may be coffee and wine in there somewhere too. Please enjoy this post; it was the first in a series of folklore/birthstone pieces I wrote for Beads of Clay. I look forward to reprising these, and finishing the zodiac here on AJE! 



Peridot, the August birthstone...


Image credit: The Collector

The green of summer! Lush plants blooming in the sunshine! Peridot gets its green color from iron, and is always green. Its a fragile stone ( 6.5 on the Moh's scale) softer than all of the other translucent gems; only one step harder than glass! Its formed from olivine, and like diamonds is formed under the Earths's crust - brought to light by volcanic activity. 

The name stems from the Greek "Peridona" meaning plentiful. This refers to the attributes of peridot - not its availability. It was believed to protect the wearer from evil spirits and adversity.  It is believed to be a stone of increase, bringing warmth, prosperity and well being to the wearer. 

My peridot palette: Peridot chips in the center, paired with my ceramic pendants in related hues and silks from Marsha Neal Studio.

A few historical notes on Peridot: 



  • The oldest examples are Egyptian, dating back to 2000 BC. Peridot was plentiful on the island of Zabargad, off the Egyptian coast in the Red Sea. 
  • The Romans called peridot "Emerald of the evening" as its color is more intense in gentle light. 
  • Medieval metal smiths were introduced to Peridot after the Crusades "imported" goods from the Middle East. It was used in reliquaries and ecclesiastical items like the Shrine of the Magi in Cologne Cathedral. (on the left)
  • Peridot is mined in Burma, China, Arizona, and Pakistan - where new mining in the 1990's created a resurgence and renewed interest in the stone. 
  • The largest faceted specimen? The Smithsonian in DC - toping the scales at 310 carats! (opening pix)
  • In 2003 NASA observed large areas of the planet Mars covered in peridot! So much for the 'red' planet...


Thanks for reading! Let me know what you think and how you used peridot in your designs. 
Jenny
www.jdaviesreazor.com

Sources: 

Friday, March 21, 2014

Folklore Friday - Amethyst

(Hello all - I am reprising a series of folklore posts I started a few years back for the Beads of Clay blog. I was researching gemstones/birthstones, their folklore, symbolism, and any famous - or infamous - specimens. While I am off a month as to the birthstones calendar - let me start here with Amethyst, February's Birthstone. Enjoy!)

Folklore Friday - Amethyst.
Species: Quartz
Color: Purple, violet, pale red-violet
Chemical composition: SiO, silicon dioxide
Crystal system: (Trigonal), hexagonal prisms
Hardness: 7 (Mohs scale)
Amethyst location and depositsThe most important deposits are in Brazil, namely the "Palmeira" amethysts of Rio Grande do Sul and the "Maraba" amethysts of Para. Other deposits are found in Bolivia, Canada, India, Madagascar, Mexico, Myanmar (Burma), Namibia, Russia, Sri Lanka, United States (Arizona), Uruguay and Zambia.


Amethyst is a variety of quartz which occurs in transparent light to dark purple. The darker more intense colors are more valuable than the lighter smoky or lavender color. Dark rich, royal colors of amethyst have been treasured by kings and queens for centuries and can be traced back to the Minoan period in Greece (c. 2500 B.C.). During the 15th century the French fleur-de-lis brooch could only be worn by the Royal family on ceremonial occasions. (Logical as purple has long been a color associated with royalty - due to the nature of the rare dyes used to create the color.)

My amethyst palette: silks from Marsha Neal Studio, ceramic pendants by ... me. 
  • The name comes from the Ancient Greek a- ("not") and μέθυστος methustos ("intoxicated"), a reference to the belief that the stone protected its owner from drunkenness. The ancient Greeks and Romans wore amethyst and made drinking vessels of it in the belief that it would prevent intoxication. 
  •  Medieval Bishop's wore amethyst rings - in an effort to keep these powerful men sober and in control of their faculties!
  • Amethyst beads have been unearthed in Anglo Saxon graves in England. 
  • In the Egyptian book of the dead, instructions are given for placing heart shaped amethysts on the body of the deceased.
  • By far my favorite treasure I have discovered about amethyst? This myth from Ancient Greece - by way of a romantic French troubadour of the 16th century : 

    Dionysus, the god of intoxication, of wine, and grapes was pursuing a maiden named Amethystos, who refused his affections. Amethystos prayed to the gods to remain chaste, a prayer which the goddess Artemis answered, transforming her into a white stone. Humbled by Amethystos's desire to remain chaste, Dionysus poured wine over the stone as an offering, dyeing the crystals purple.
    Variations of the story include that Dionysus had been insulted by a mortal and swore to slay the next mortal who crossed his path, creating fierce tigers to carry out his wrath. The mortal turned out to be a beautiful young woman, Amethystos, who was on her way to pay tribute to Artemis. Her life was spared by Artemis, who transformed the maiden into a statue of pure crystalline quartz to protect her from the brutal claws. Dionysus wept tears of wine in remorse for his action at the sight of the beautiful statue. The god's tears then stained the quartz purple.

Portrait of Roman Emperor Caracalla;  Amethyst intaglio, ca. 212 CE. 
From the treasury of the Sainte-Chapelle in Paris.

Attributes of Amethyst: 

  • thought to be helpful in overcoming addiction. 
  •  used for hearing disorders, insomnia, headaches and other pain. 
  • Worn to make the wearer gentle and amiable.
  • Amethyst powers include: dreams, healing, peace, love, spiritual upliftment, courage,  protection against thieves, and happiness.
The largest Amethyst geode in the world,
The Empress of Uruguay,
resides in The Crystal Caves in Australia. (zivajewels.com)
Thanks to WikipediaBernardine.com and gemselect.com

Stay tuned for more folklore - coming soon!
What's YOUR favorite gemstone? 


Jenny


www.jdaviesreazor.com



Friday, August 9, 2013

Folklore Friday: Have a heart ( Ancient Egyptian amulets Part2)


Welcome back! Last time I talked about Ancient Egyptian amulets in general - and some of the iconic symbols that many if you had previously seen. This week I wanted to delve a little deeper into a few of the more obscure, yet quintessentially Egyptian motifs. ( It has been hard for me to decide what to include, as this topic enchants me. I thank you for your attention and perseverance!) 



The Tyet knot, also called the "Girdle of Isis" depicts a looped and folded cloth; they were placed on the neck of the deceased. The tyet symbolizes strength/power/protection. They are often red, for blood, as they represent the blood of Isis; her protection and by association the magic and power with which she raises the god Osiris/her husband from the dead. Life and death and regeneration are the essential beliefs in Ancient Egyptian mythos. 


The Djed pillar represents stability, strength, endurance, and protection. Symbolically it depicts a stylized Tree of Life and simultaneously Osiris' backbone. It was placed... near spines of the mummies and was thought to lend them strength. The spell in the Book of the Dead associated with them calls out to the god: 'Raise yourself up Osiris! You have your backbone once more. O weary-hearted One; you have your vertebrae!'



Thoth, Sekmet & Tawaret. glazed clay/faience.
 App. 1.75" - 2"
Amulets of Egyptian deities were worn to honor that god or goddess and seek their protection. There are so many, and so many interesting myths - I cant go into it all here...
( The Ancient Egyptian Mythology page gives an overview... )

 I will be discussing materials and methods in my next post though... 








What really inspired me lately - both in the studio and to write these posts - were the heart amulets. 

Images from Walters Art Gallery, The Met,  British Museum


Left: Anubis, God of Afterlife leads the soul. Center:Anubis (smaller) weighs the heart/urn against the feather of Maat. Right: Ammit, the Devourer of the Dead (hybrid crocodile, lion, hippo) awaits to eat any souls deemed unworthy. Thoth, God of Writing records the ritual. A jury of gods and goddesses are seated above to witness. 
Balanced against a feather? Yes. the feather of Maat.   She was the Goddess of truth, justice, balance, order, law, morality. She was world order and harmony; without her - chaos. So when the heart was balanced with a feather - it was a feather that stood for... "rightness" and a life lived in harmony with the principles of the culture. 







But I digress. The beads.... the inspiration... harvest from the studio ^10 gas fire reduction kiln... 


These are stoneware, very rustic, with a simple stain of iron oxide. The larger round one has bits of glaze in the impressed designs. I am thrilled with the results, and may have to save one for myself to wear at Beadfest! ( Come see me - Booth 461). I see it with earthy colors; jasper, jade... or maybe turquoise! Hmm. What do you think? 


Until next time - 
Jenny

www.jdaviesreazor.com




Friday, July 26, 2013

Folklore Friday: Ancient Egyptian amulets

Collection of amulets, Senckenberg, Naturmuseum, Frankfurt, Germany.

Amulets... 

From Merriam-Webster: : a charm (as an ornament) often inscribed with a magic incantation or symbol to aid the wearer or protect against evil (as disease or witchcraft)
And while that definition may sound a bit Medieval - I think the definition infers that a piece have meaning and believed power/symbolism to be seen as an amulet. And when I think amulets - I think Egypt. Since I decided to do this series of posts, I have been reading and researching - and having great fun... I look forward to sharing it with you. 

Warning: I have been fascinated with Ancient Egypt my whole life. Well, specifically since I was 8. When the monumental exhibit of Tutankhamen's tomb goods was in DC at the National Gallery. ( No, my parents did not take me, and yes, I begged. Scarred for life? maybe a little...) A secondary degree in Art History and supplemental study on my own... clearly this interest wasn't a passing fancy. So let me start with the more iconic symbols... 

In Ancient Egypt, amulets were worn by the living... and the dead. Worn as necklaces, placed in a mummy's wrappings, they were a unifying element across the levels of society - from the common folk to the nobles, to the divine royalty. Certain symbols were used by both living and dead; others had specific funerary purposes. Their recorded use dates back to app 3100 BCE, 1000 years prior to the first Egyptian Dynasty. Most frequently worn for protection, some were fertility amulets, others invoked certain deities and their attributes. ( More on that later)

Materials - 

 Clay, faience, shell, gemstone, gold, glass, bone, ivory to name a few. Cost was a factor in materials - of course - but so was symbolism. Colors help great symbolic meaning to the Ancient Egyptians. For example, lapis imported from Afghanistan was very precious, and expensive. The deep blue represented both the heavens ( the gods, life, rebirth) and also the primordial Nile flood (life, fertility, rebirth). Gold, plentiful in Egypt was seen as the sun;  un-tarnishing, unaffected by time it represented the immortal, the divine. 


Images from The Metropolitan Museum of Art


The Ankh  - life, immortality, rebirth, reincarnation

The Egyptians believed fundamentally in an Afterlife. Hence the tombs containing all the items needed to live on in the way to which you were accustomed. The ankh appears everywhere in Egyptian art. Worn as an amulet it would also confer health and strength to the wearer. 

The shape can be said to reference a sandal strap - top oval around your ankle, long tail down between your toes... It is also seen as a reference to the Nile. The top representing the Delta, the length being the Nile itself, and the 2 side arms representing the annual flooding of the river. This flood deposited rich silt, creating arable land on either side of the banks. This truly represented the life of the ancient people in that desert climate. 

Images from The Metropolitan Museum of Art

The Scarab  - sun, resurrection, transformation, protection

The dung beetle, common in the region and highly symbolic. The beetle lays its eggs in a ball of clay or dung and then rolls it off, burying it. This was a direct metaphor of the sun, rolled across the sky, to disappear, and magically reappear the following day. As the sun god Ra was chief among the Ancient Egyptian deities - the scarab was an important symbol. 

Worn as an amulet it brought health, strength. and virility. A scarab amulet was placed at the heart of a mummy; the heart being the seat of all thought, emotion, intellect... 



Photo credits: 1 & 4 - British Museum, 2 - Bader Ancient Art 3 - Williams College 


The wedjat or Eye of Horus - protection from evil, healing, restoration, protection, sacrifice

The wedjat eye is perhaps the best known of all Egyptian protective amulets. The drop and spiral below the eye imitate the markings on a lanner falcon, the bird associated with the god Horus. The name wedjat means 'the sound one', referring to the lunar left eye of Horus that was plucked out by his rival Seth during their conflict over the throne. The restoration of the eye is variously attributed to Thoth, Hathor or Isis. The injury to the eye and its subsequent healing were believed to be reflected in the waxing and waning of the moon.
The first use of the wedjat eye as an amulet was whenHorus offered it to Osiris. It was so powerful that it restored him to life. The regenerative and protective powers of the amulet meant that it was placed among the wrappings of mummies in great numbers. It could even replace food offerings in rituals. It first appeared in the late Old Kingdom and was used until mummification was no longer practised, in the Roman Period (30 BC - AD 395)
Amulets were made from many different materials, but blue or green faience was the most common, as these colours symbolized regeneration to the ancient Egyptian. The wedjat eye was also worn by the living. Faience factories have been found at Tell el-Amarna, where rings with wedjat eye bezels were very popular among the inhabitants.


(Who am I to paraphrase the British Museum?!  I normally write my own entries, but that was too succinct to pass up. The Isis and Osiris myth is a powerful one. Love, treachery, deceit, a quest, magic - and a great insight into Egyptian beliefs on life, resurrection, rebirth. Read it here if you are interested. 


Thank you for staying with me until the end! I hope there was something interesting there for you - I would love to hear your thoughts! 


Stay tuned in 2 weeks - a few more obscure symbols and how they translate into pieces I am making - making and making... as the Beadfest clock counts down! 

Jenny


www.jdaviesreazor.com