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Wednesday, September 21, 2016

Coexist Beads - My Everyday Wear

Several years ago I came across this brilliant assembly of necklaces in Showcase 500 Beaded Jewelry by Lark Crafts.  Titled the "Coexist Prayer Beads" by creator Nancy Meli Walker, for some reason this was the first piece in the book that I noticed, and as I flipped through the rest of this fantastic showcase, I realized that I was still thinking about this collection of simple and meaningful necklaces.

For me, the historical, cultural, and human ties to beads and beadwork are impossible to separate from my own work.  I feel that it is extremely important to spend some time investigating the role that beads have played throughout our history, and that includes the role that beaded items play in the realm of religion and spirituality.  A few years ago I picked up a copy of A String & a Prayer by Eleanor Wiley and Maggie Oman Shannon, which is a fantastic modern investigation on the role of prayer and meditation beads, along with a guide to creating and using your own.  In my head, the bead strings were connected - I needed to make my own set of "Coexist Prayer Beads" - an assemblage of pieces that resonate for me on a more personal level...and so this project was born:

How do you go about gathering ingredients for something like this?  For me it's very important to have some sort of memory or other connection to the major components of each piece, along with finding tactile pleasure in the bead or other material that makes up the bulk of the necklace.  Today I'm going to share some of the pieces that I've created so far, along with components and materials I have gathered for future creations.
There is one necklace I wear 7 days a week - my medic alert.  I've worn a medic alert since the age of 7, and this particular tag since a few years after that.  I keep it tucked inside my clothes on the long stainless steel curb chain.  The contents really needs an update, but in reality I will likely just get a second tag and wear both on the same chain.  5 days a week, I also have to wear a lanyard type necklace to hold my work key fob - currently I'm wearing it on this lanyard of rich purple button and coin pearls. 

This vintage glass necklace was found in a baggie at an antique mall for a few dollars one day.  When I got home and pulled it out, I realized it was fully intact except in one area where someone had lost 2 small and 1 large bead link - they sewed the missing section together with thread.  I pulled it apart and inserted this Green Girl Studio chameleon bead - it ended up being the perfect fit, and this is probably the necklace I grab most often.

I think of this piece as my own personal "rosary" - a tool for assisting with the mindful management of my own thoughts.  It consists of a bronze octopus coin with labradorite by Cynthia Thornton, a bronze urchin component by Lesley Watt, and a pewter fish link by Green Girl Studios.  These pieces are paired with iolite, labradorite, and fire prehnite beads, along with copper, niobium, and gold. I feel that my major inspiration - the sea and her creatures - resonate in this piece.
When I was a kid, one of our neighbors made rosaries and would pass along her left over supplies to me.  I have been intrigued with them since then, and when this lovely bronze cross and center medal came to me, I decided to make my own.  This is modeled after a traditional Catholic rosary, but of course the materials and sentiment resonate with me on a more personal level.  Sue Kennedy made me the "our father" beads to coordinate with the vintage glass oval beads I wanted to use, for an even more personal touch.  Incorporating my friends creations into my everyday wear is important to me.

It's no surprise that eyes would fall into the jewelry that is most significant to me, is it?  The focal bead on this necklace is a Nazar that a friend brought back from Turkey.  Paired with enameled eye chain, brass links, vintage glass beads, and brass eye "ball" dangles - this is my favorite thing to wear when I feel vulnerable in any way - surely all these eyes will repel any negativity, right?
This agate cicada is paired with an enameled flower, pyrite skull, and flat Picasso marble knotted on silk.  Cicada's are symbolic in many cultures, but mostly I just find them fascinating.  I picked this cicada up at a show several years ago...that just happened to be a year when the periodical cicadas were hatching.  It was such an overwhelming experience - you couldn't step outside without being pelted with the blundering insects.  You couldn't escape the noise without covering it up with something else - I found the entire experience humbling.  What a fantastic reminder that nature continues on, even in the midst of a huge city.
Of course I can't leave out my mala beads.  I have a traditional rosewood Hindu mala, along with this Tibetan style bone mala.  This strand of cedar berry "ghost beads" and strand of tiny wooden people also feel like mala's to me - a strand of meditation beads where the material the beads are made from is as significant as every other aspect of the strand's construction. 
I have many other items collected - some made by me, some made by friends, and some made by nature.  There will be more additions to my collection of coexist prayer beads in the future!

I've been seeing this term tossed around lately on the internet - Every Day Carry.  This appears to apply broadly to those things you don't leave the house without, come hell or high water.  I've realized that these pieces have become my Every Day Wear - I can't leave the house without at least one on.  Even if I'm wearing a larger beadwork necklace, I'll wear a special charm on a chain too, or something else that coordinates.  It doesn't matter the day of the week, where I'm going or what I'm doing, I just can't make it out of the apartment without some item of jewelry that resonates with my spirit.  I'm sure you have something like this that you wear every day too - maybe it's a watch, wedding ring, or earrings you've had for years.  That item you fiddle with when your hands are idle.  That accessory you feel naked without.  Something that means more to you than just "jewelry".  What is your Every Day Wear?

Wednesday, August 24, 2016

Bead Fest: A Feast For The Eyes

Bead Fest was held over the weekend.  It's one of the highlights of my year and I've been attending since 2004.  I've even been a vendor at it 3 times (and might again in the future).  This year I went for fun; to see friends and do some (lots) of shopping.

Welcome to Bead Fest
You need to be careful at Bead Fest.  It's easy to go waaaaaaaaaay over budget in a short period of time (ask me how I know).  I told myself to lay off so many art beads this year...hahahahahahahaha!  Ok, yeah that didn't happen.

Gardanne Enamel Components
Explain to me how I'm supposed to do that with such fabulousness like Gardanne Beads enameled pieces?

Thornburg Bead Studio
Nikki/Thornburg Bead Studio brought some of her gorgeous lampwork urchins with her.  I ended up buying a bunch of lampwork headpins from her though to assist me with our AJE headpin challenge.

Penn Avenue Pottery
Tracey/Penn Avenue Pottery had oodles of fun ceramic beads to choose from.  I found myself trapped (totally against my will) at her booth for awhile, with my hands stuck (yes, I couldn't pull them out) in those trays.

Staci Louise Originals 
After my escape from Tracey's booth, I ended up at Staci's booth (that's a lie, I'd been there probably 500 times already by Saturday morning...my apologizes to Staci).  Her booth looked like a magic unicorn had visited with all the beautiful rainbow colors.  I added more beads to my gigantic Staci-collection.

Staci's bags
In addition to her beads, Staci also brought some of her hand-dyed and stamped bags with her.  I own a luna moth bag and it was perfect for shopping the show.

In fact, several bead-makers brought other art with them in addition to their beads...

Diane Hawkey
Diane Hawkey had some of her whimsical pot head planters and house sculptures for sale in her booth.

Beaded Chic Fused Glass
Donna/Beaded Chic has been playing with fused glass lately and brought some new pieces along with her table full of lampwork!


Marsha Neal
Marsha Neal had beads, tiny pottery and her needle-felted creations at her booth.  

Jenny Davies-Reazor
AJE's own Jenny Davies-Reazor had some of her gorgeous tiles and needle-felted/bead-embroidery pieces for sale at her table.

Firefly Design Studio
Michelle/Firefly Design Studio had her beach-inspired dishes with her!

And of course there was gorgeous jewelry at the show...

Marcia Balonis and Pam Garbig
Marcia Balonis and Pam Garbig had a table full of beautiful samples and kits for sale.  I brought home one kit and will be writing about it on here in the near future. 

There were also great tools for sale!

Lucet
New AJE member, Cooky Schock had a booth and I came home with a lucet and some cord from her. You might recall the recent blog post that Cooky wrote for us about the lucet.  This great little tool helped make my 5+ hour car ride home go much quicker!

Xuron
Treated myself to a new Xuron plier.  Soooooo comfortable!

Funky Chain, ParaWire, Gemstones
This was just the tip of the iceberg of what was available at Bead Fest!  You're probably wondering what I brought home with me, right?  Let's take a peek...

Pottery Purchases
A bunny pot head planter from Diane Hawkey, a ring holder from Marsha Neal and a dish from Michelle/Firefly Design.

Tools and Kits
The lucet, cord for the lucet, some dyed Stiff Stuff (Bead My Love), spiffy new XBow Series Xuron pliers and a fab kit from Marcia Balonis.

Art Bead Haul
And this is the art bead haul.  So many beads, pendants, headpins and cabochons!  

Bead Fest 2016 was fabulous as always and while I hate to see it end, my wallet requires a year to recover.  See you in 2017, Bead Fest!

Happy Beading!

Monday, August 15, 2016

Ancient to Modern - the Lucet

Hello all - Jenny here. Wanted to take a sec and introduce Cooky Schock. She is a fibers/mixed media artist from San Diego. Former owner of The Shepherdess Bead store - that's how I met her during my tenure there. She is joining the team here at AJE, and you will get a full introduction soon, promise. These "Lucet" things really intrigue me - stop by at Beadfest for demos and more info. Cooky will be next to me at #462 in Artisan's Alley!   

Here's what she had to say: 

While researching different thread-made chains to use with my micro macrame work, I cam across and article about the lucent. Coincidentally, at the same time I saw a PBS special about the Vikings. In one scene in the background some men were making ropes using antlers as the tool. 



More research, more discoveries. Now fast forward to Medieval times where many objects of everyday use were hung by the waist with cords. Cords were used for drawing up bags to keeping up undies, etc. You name it and cords were involved! All these cords were handmade, usually on a simple but very essential implement known as the LUCET. This simple tool has been through many eras but the basic shape has remained constant.

The fork design is the most common, but a lucent made of more precious material such as ivory. .tortoise shell or mother of pearl usually did not have a handle. 

My first lucent was created using a pickle fork and sawing off the center tines!


The lucet I now sell are made from a variety of recycled exotic hardwoods made by a woodworker from Crickhowell, a small rural village in southern Wales. 


Any weight fiber can be used with any lucet and beads can be added as well. The braid itself is square and very strong. 


Besides using the cord for chain, you can create I-cord much easier and faster than knitting or crocheting.  It’s such an easy tool to use that even children have fun working with it. If you’re at BeadFest, please come by my booth #462 in Artisan Alley and try out this fun little tool know as the lucet. 

Wednesday, July 6, 2016

Bird on the Wing Pendant with Embellished Chain - Free Tutorial



Birds are a perennial favourite with bead makers and buyers alike and this easy tutorial can be adapted to work with your own favourite examples.


Supplies

1 bird bead and wing(or similar) pendant.
1 flat/curved/disc bead
2 x 15" lengths of chain with link large enough to thread a double strand of waxed linen through.
8" 20 gauge wire
2 x 30" lengths of waxed linen
Seed beads (larger than chain links)
Charms and/or Czech glass flower beads
Headpins and jump rings
Round nose pliers and cutters

Step 1
Using the wire and round nosed pliers create a wrapped loop to attach the wing pendant.

Step 2
Pass the tail of the wire through the flat/curved/disc bead and the bird bead and make another wrapped loop to create a bail (add a seed bead to stabilise if required).


Step 3
Attach a length of chain to the bail either by opening a link in the chain or by adding a jump ring.

Step 4
Double up one length of waxed linen and attach it to the bail using a larks head knot.

Step 5
Thread a seed bead onto the double strand of linen and pass it through the second link of the chain. Add a second bead and pass the linen back through the chain skipping one link as you go.


Step 6
Continue adding seed beads and threading through alternate link of the chain until you get to the end. Check the tension of the linen and that the beads are evenly spaced.


Step 7
Add a final bead and tie of the linen to secure and then trim.

Step 8
Repeat steps 3 - 7 on the other side of the bail to complete the necklace.

Step 9
Add a clasp and jump ring.


Step 10
Use the headpins and seed beads to create charms with the Czech glass flowers if required.

Step 11
Using a jump ring attache the charms to the wrapped loop of the feather pendant.


And that's it - your necklace is fnished!




By changing up your beads and charms you can vary the effect you get with this design... Here's another example of the design that was published in Jewelry Affaire in 2015.


Hope you enjoyed the tutorial - happy creating.

Bird and leaf set from THEA elements