Wow, it's hard to believe it's August already! Today is the Earring Challenge Reveal 14! Here are some earrings that I picked out to feature that caught my eye!
These are from Alice Peterson - I like the combination of colors and the long components by Shannon Levart!
Claire Fabian did a fantastic job coloring yellow polymer as a challenge, and I like her use of fiber as well!
Claire Lockwood makes the most interesting clay components, and I love the patinaed drops!
Pam Sotheran made the brass dangles herself, I really like the design and the colors she used!
Finally, Sarajo Wentling used some of Diana Ptaszynski's gorgeous clay to make these earrings!
Oh why not, one more, by Lesley Watt - love these!
Join us in two weeks for Week 15 Reveal, and remember, keep making the earrings!
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Sunday, August 4, 2013
Saturday, August 3, 2013
Mini Tutorial ~ Wildflower Molds for Bead Making
Hey everyone! As promised, today's post is another mini tutorial. Two weeks ago I shared the new wildflower molds I was working on. Are you ready to see the results?
Well… they all certainly were not as fabulous as I was hoping… the top four molds worked fine and had good detail, but the bottom four were not so great — some parts were either too deep or didn't show at all. Yes, the bottom two really are flowers, you just can't see the impressions!
Time to make more molds! Today's post was going to be on the bead making process, but since I needed to make new molds I thought I'd share that part with you first and then next time we'll start on the beads. So here goes…
(The molding compound I use is a 2 part 5 minute cold molding compound by Art Clay World USA)
Of course, I started with another trip out to my front yard and the fields surrounding my house. Living in the country sure does have its advantages! I picked more flowers than I needed — I wanted to have plenty for experimenting. I also made sure to pick some leaves too.
One of the main reasons half of my first molds didn't turn out well is because I was just blindly pressing flowers into the molding compound and had no way of knowing until the mold cured how the flower would actually look.
So this time around, I took all the bulky flowers and first lightly flattened them under a piece of glass. This allowed me to see how the petals would be arranged in the mold, and to carefully put them in place if needed before making the mold.
After flattening under the glass I pressed the flowers and leaves into the molding compound. When pressing the flowers in, I'm always careful to take note of the thickness and bulkiness of the different flower parts. For the mold above, I pressed the petals of the flowers deep into the compound, while only lightly pressing the flower's base — I want the main focus to be the petals and a big bulky base pressed in to deeply can easily ruin that effect.
You'll get the best leaf impressions if you use the backs of the leaves where the veins are most raised. I like to add a little extra contour to my molds by pressing deeper on and AROUND the leaves, petals and anything I really want to standout. Adding that extra contour gives the finished casting a more raised look.
You can see that extra contouring here — around the leaves on the rectangular mold…
And here — I gave this mold a slight dished-out contour so the casting will be slightly domed.
Once all the molds cured it was time to try them out. Here are the results of some testing — all the molds worked nicely this time around!
Alight, now it's your turn! Go out, enjoy the fresh air and pick some flowers… and make some molds! In two weeks I'll show you a few new beads you can make with your molds.
Well… they all certainly were not as fabulous as I was hoping… the top four molds worked fine and had good detail, but the bottom four were not so great — some parts were either too deep or didn't show at all. Yes, the bottom two really are flowers, you just can't see the impressions!
Time to make more molds! Today's post was going to be on the bead making process, but since I needed to make new molds I thought I'd share that part with you first and then next time we'll start on the beads. So here goes…
(The molding compound I use is a 2 part 5 minute cold molding compound by Art Clay World USA)
Of course, I started with another trip out to my front yard and the fields surrounding my house. Living in the country sure does have its advantages! I picked more flowers than I needed — I wanted to have plenty for experimenting. I also made sure to pick some leaves too.
One of the main reasons half of my first molds didn't turn out well is because I was just blindly pressing flowers into the molding compound and had no way of knowing until the mold cured how the flower would actually look.
So this time around, I took all the bulky flowers and first lightly flattened them under a piece of glass. This allowed me to see how the petals would be arranged in the mold, and to carefully put them in place if needed before making the mold.
After flattening under the glass I pressed the flowers and leaves into the molding compound. When pressing the flowers in, I'm always careful to take note of the thickness and bulkiness of the different flower parts. For the mold above, I pressed the petals of the flowers deep into the compound, while only lightly pressing the flower's base — I want the main focus to be the petals and a big bulky base pressed in to deeply can easily ruin that effect.
More flower smashing! Not really — press just firmly — enough so the petals stay in place.
You'll get the best leaf impressions if you use the backs of the leaves where the veins are most raised. I like to add a little extra contour to my molds by pressing deeper on and AROUND the leaves, petals and anything I really want to standout. Adding that extra contour gives the finished casting a more raised look.
You can see that extra contouring here — around the leaves on the rectangular mold…
And here — I gave this mold a slight dished-out contour so the casting will be slightly domed.
* * *
Once all the molds cured it was time to try them out. Here are the results of some testing — all the molds worked nicely this time around!
Alight, now it's your turn! Go out, enjoy the fresh air and pick some flowers… and make some molds! In two weeks I'll show you a few new beads you can make with your molds.
Have a fun!
Labels:
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Friday, August 2, 2013
A New Color Adventure: Enameled Beads
I spent an afternoon at a friend's studio last week, learning how to torch fire enamels. I've been wanting to learn for a few years now. I love playing with color, so this seemed to be right up my alley.
I was so excited when my friend, Christine, offered to show me the basics. Unfortunately I was so focused on playing with the enamel, that I forgot to take any pictures in Christine's studio. :( But here is what I came home with.
This is very obviously a beginner's attempt. The top left bead doesn't even appear to have color on it, although it is shiny. But here's what I love about enamel: I can just fire this black bead up again, add enamel, and it will look fine. It is a very forgiving medium. Next to the black bead is one that is ivory color. It looks a bit darker in the photo than it actually is. Next to it is one that was supposed to be ivory with an overlay of green, which is just barely noticeable. On the bottom right is a blue bead, that could probably benefit from an additional layer of enamel. The green speckled one was my last bead. I started with 2 coats of blue and then I scattered green frit on it and got the speckles. The 2 headpins have a nice layer of color, but some of it chipped off the ends. I've since read that headpins can be a bit tricky.
Before the day was out, I'd ordered enamel supplies from Barbara Lewis's website and I ordered her book from a local independent bookstore. I was so giddily happy that night. Enameling was like color heaven for me.
A few days later, my goodies arrived.
I was so excited when my friend, Christine, offered to show me the basics. Unfortunately I was so focused on playing with the enamel, that I forgot to take any pictures in Christine's studio. :( But here is what I came home with.
This is very obviously a beginner's attempt. The top left bead doesn't even appear to have color on it, although it is shiny. But here's what I love about enamel: I can just fire this black bead up again, add enamel, and it will look fine. It is a very forgiving medium. Next to the black bead is one that is ivory color. It looks a bit darker in the photo than it actually is. Next to it is one that was supposed to be ivory with an overlay of green, which is just barely noticeable. On the bottom right is a blue bead, that could probably benefit from an additional layer of enamel. The green speckled one was my last bead. I started with 2 coats of blue and then I scattered green frit on it and got the speckles. The 2 headpins have a nice layer of color, but some of it chipped off the ends. I've since read that headpins can be a bit tricky.
Before the day was out, I'd ordered enamel supplies from Barbara Lewis's website and I ordered her book from a local independent bookstore. I was so giddily happy that night. Enameling was like color heaven for me.
A few days later, my goodies arrived.
I tore open the box! Oh! Wow! I felt like a little kid on Christmas morning!
I have my biggest show of the summer in a few days and I'm currently in full panic mode. So I haven't really had time to play with my new "toys" yet. As soon as the show is over, this will be my next focus and I'm raring to go!
In the meantime, I've have an extensive enameling Pinterest board, which has tons of inspiration and tutorials, in case you'd like to check it out. I've also gathered up some wonderful samples of torch fired enameled jewelry to share with you here. Enjoy!
AJE team member, Melissa Meman, sells both finished jewelry and enamel components. I hope my enamels will look this pretty someday! Here are some examples.
Sue Kennedy, also creates enamel components. Wouldn't these be pretty in some autumn jewelry? Fall is coming up faster than you think.
Or, if you don't want to let go of summer yet, you can try these pretty lilac beads.
Ellianne's shop focuses exclusively on torched fired enamel jewelry and components.
And here's the shop that originally started my love affair with enamel, Teka and Zoe. I am the happy owner of two pairs of earrings from this shop, (these are actually, probably kiln fired, not torch fired, but I find her work very inspiring and I want everything in her shop!!!).
So stay tuned for "The Further Adventures of Linda's Enamels". I'll keep you posted. What is something that has fired up your creative enthusiasm recently?
Linda
Labels:
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Thursday, August 1, 2013
And the Melismatic Morsels go to....
Perri Jackson, Mon Urquhart and Hope Smitherman! Congratulations! I can't wait to see what the three of you will create!
I asked my son for 3 numbers between 1 and 34, and he chose 4, 10, and 12. I will be emailing each of you for your snail mail address!
Thanks to all of you who stopped by and left such gracious comments. I am going to try and get a few of these in my shop soon, so if you are interested in creating something with one, you are welcome to join us!
For a little inspiration, here are a few pieces that I have created with similar components in the past!
Okay you 3, and AJE team, get those ideas swirling! The reveal will be on Saturday, August 31!!!
I asked my son for 3 numbers between 1 and 34, and he chose 4, 10, and 12. I will be emailing each of you for your snail mail address!
Thanks to all of you who stopped by and left such gracious comments. I am going to try and get a few of these in my shop soon, so if you are interested in creating something with one, you are welcome to join us!
Okay you 3, and AJE team, get those ideas swirling! The reveal will be on Saturday, August 31!!!
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